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“... The Douglas were interesting only in death: the book opens with a suicide, and closes with the glimpse of a putative heaven in which Lord Alfred Douglas and his father are reconciled, like Belial and Mammon. In life, they were a family of sportsmen whose only sport was self-interest, who made up in neuroses what they lacked in achievement, who relied upon ferocity rather than feeling ...”

“... The title hints at something extravagant and strange: five 19th-century French writers – Baudelaire, Jules de Goncourt, Flaubert, Maupassant and Alphonse Daudet – are enrolled here because of their ‘unremitting pessimism and disgust toward life’. As it turns out, the book is more Marie Curie than Mario Praz. Roger Williams, a Distinguished Professor of History at the University of Wyoming, has supped his full of horror ...”

“... The dead writers,’ Eliot said, ‘are that which we know.’ They are also, Peter Ackroyd might want to add, that which we don’t know we know or wish we knew better, agents of prodigious but incomplete hauntings. From The Last Testament of Oscar Wilde to Chatterton, Ackroyd has shown himself an adept in the speech of such ghosts ...”

“... Peter Ackroyd’s new novel has been caught in the Gadarene rush of fiction brought out in time for the Booker Prize deadline. It won’t be lost in this year’s profusion of titles, and it won’t be harmed by the published assurance of a colleague of his on the Times that it is ‘a sure contender’ for the prize ...”

“... Peter Ackroyd has written a benign life of T.S. Eliot. Given the malignity visited on Eliot, this is a good deal. Fair-minded, broad-minded and assiduous, here is a thoroughly decent book. It has none of the sleazy sanctimony of Robert Sencourt’s biography, or the vanity of T.S. Matthews’. That it is a feat to be without spite is coincidentally manifested by the appearance of Geoffrey Grigson’s Recollections ...”

“... provides an audio commentary. And there are lots of educational backups, some, like lectures by Peter Ackroyd and Tom Paulin, now over, others, including various conferences and courses, still to come. The most visible, and in some ways the most instructive of the exhibits are those which demonstrate Blake’s technical innovations. Only one of his ...”

“... elude that soporific ‘and then’? So, it is little surprise to find the prolific genre-bender Peter Ackroyd beginning his brief biography of Edgar Allan Poe with a recounting of his subject’s final days. Never mind that Paul Strathern’s recent biographical study, Poe in 90 Minutes, and a new novel by Matthew Pearl, The Poe Shadow, made the same ...”

“... of literary remains and interviewable eye-witnesses. No Aspern papers, no Aspern biography. Ackroyd, who is not an academic, thinks otherwise. His life of Dickens opens with the great man dead, lying on the green sofa in the dining-room of Gad’s Hill Place. But Ackroyd does not regard his subject across any ...”

“... Dickens biography that descends through Thomas Wright and Katherine Longley to our contemporaries Peter Ackroyd and Claire Tomalin. In his chapter on James Joyce Hamilton dwells exclusively on the author’s ‘patron saint’, Harriet Weaver. Surprisingly – for a study whose main concern is the suppression or revelation of intimate materials – he ...”

“... It takes no time to see that Peter Ackroyd’s Hawksmoor is a book wrought with extreme cunning. A slower discovery arrives, that this virtuosity on the surface goes with imaginative density and profundity of inquiry. Inquiry into many related topics: the vagrancy of youth, the corruption of obsession, the permanence of evil ...”

“... Another recent biography of a leading modern artist was composed under similar restrictions. Peter Ackroyd says he was ‘forbidden by the Eliot estate to quote from Eliot’s published work, except for purposes of fair comment in a critical context, or to quote from Eliot’s unpublished work or correspondence’. As it happens, the two ...”

“... prose, his idea of freedom ceases to be urbane and becomes temporarily romantic and Wordsworthian. Peter Ackroyd is aware of Wilde’s relation to the Young Ireland movement, and in his fictional account of Wilde’s last months in Paris he makes a courageous attempt to align his subject with the Irish libertarian tradition. Wilde’s enemies ‘mocked me ...”

“... reading matter, the titles she was happy to display. Alan Bennett’s Diaries and, of course, Peter Ackroyd’s gold-brick biography of Blake. Bennett, Ackroyd and Jonathan Miller – these were the figures who mattered most. The Christmas parcels of English literature. Enough of threadbare bohemia, paranoid ...”

“... Peter Ackroyd’s London: The Biography is as much a history of characterisations of the city as a history of London itself. And although Ackroyd is most concerned with character in the sense of ‘a personality invested with distinctive attributes and qualities, by a novelist or dramatist’, readers of his previous writings will not be surprised to hear that many other meanings of the word also come into play – ‘distinctive features’, ‘essential peculiarity’, ‘nature, style’, certainly; but also ‘distinctive mark, evidence, or token’; ‘a cipher for secret correspondence’; and even ‘a cabbalistic or magical sign or emblem ...”

“... Peter Ackroyd’s new novel is partly a narrative, partly a series of rhapsodies and meditations on the nature of English culture, written in the styles of various great authors. It is an important and a depressing book, its importance more or less in direct proportion to the depth of the gloom it sheds. With luck we may one day look back on it as the last ‘English’ novel ...”