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“... In​ 1966, a young writer named Patrick Modiano published his first short story, a satire set in a summer concentration camp called ‘Saint-Tropez-Ravensbrück’. Surrounded by ‘charming Kapos’, the inmates – ‘children of Himmler and Coca-Cola’ – are lulled into submission by LSD and hedonism. Paris’s leading artists and intellectuals praise the camp; Jean-Luc Godard offers to shoot a collaborationist film ...”

“... Patrick Modiano’s fiction is intricately caught up in time, as he himself says. ‘The great, the inevitable subject of the novel, is always . . . time.’ And more interestingly, less portentously: ‘I had the mania of looking back, always that feeling of something lost, not like paradise, but certainly lost ...”

“... it to be shown on TV. The documentary opened at an independent cinema in Paris in April 1971. Patrick Modiano’s Occupation novels, first published around that time and republished last year as a single-volume trilogy in English translation following Modiano’s Nobel Prize, portray a world in which it is hard to ...”

“... Museum of Art in New York) as well as a long-serving translator who has rendered Raymond Roussel, Patrick Modiano, Marguerite Duras and many others. ‘A good translation,’ he writes, ‘offers not a reproduction of the work but an interpretation, a re-representation, just as the performance of a play or a sonata is a representation of the script or ...”

“... in his films is ‘in reality an effect of memory’. The same observation might be made of Patrick Modiano, whose noirish investigations of wartime Paris, spun from newspaper clippings and phone listings, often recall Melville’s cinema. Their work converges, too, in a shared feeling for Nazi-occupied Paris, their fascination with the underworlds ...”