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“... The Jubilee Line​ used to be one of the better London Underground lines to travel on if, like me, you have Crohn’s disease. When the line was extended in the late 1990s, some of the new stations – Stratford, Canada Water, North Greenwich – were equipped with toilets, a great rarity on the Tube. They weren’t very nice, but if you’re liable to need the loo frequently and urgently when you’re out and about, it’s nice to know that you’re provided for ...”

“... Part​ of what makes Owen Jones such a phenomenally successful figure by left-of-Labour standards is his ability to be several things at once. He is both insider, reporting back to ‘us’ about what ‘they’ think, and outsider, as shocked and angry about it as ‘we’ might be. He was brought up in Sheffield, Falkirk and Stockport and speaks in a sharp Mancunian accent, but he is also an Oxford graduate, with all the connections that can entail ...”

“... sheltered housing in Streatham are missing. As for the gloriously aggressive, tasteless work of Owen Luder, such as Eros House and the Catford Centre, one shudders to think what the authors might have made of it. In this they are again products of their time; critics who are too young to have seen these being built can be much more complimentary, as Tom ...”

“... In thinking about how we got here, Srnicek and Williams – like so many recent writers, from Owen Jones to Mark Fisher to Philip Mirowski – lay great stress on the think-tanks (the Mont Pelerin Society and the like) that had their solutions ready when Keynesianism faltered in the mid-1970s. The ‘folk politics’ of Climate Camps, single-issue ...”

“... Jonathan Meades, for the last thirty years Britain’s most consistently surprising and informative writer on the built environment, has finally published a book on the subject. A volume did appear in 1988 – English Extremists, written with Deyan Sudjic and Peter Cook, celebrating the postmodern architects Campbell Zogolovitch Wilson Gough – but since then his medium has been television ...”

“... When​ the Health and Social Care Bill was passed into law at the start of 2012, it elicited one of those usually impotent hashtag campaigns seen so often on Twitter, where – the notion is – thousands of people using the same tag manifest the strength of the collective will. An earlier and very popular hashtag, #welovetheNHS, had been started in response to the claim by opponents of Obama’s ‘public option’ in US healthcare that the NHS was a widely hated basket case ...”

“... Square Car Park and the Dunston Rocket, both in Gateshead, both designed by Rodney Gordon for Owen Luder Architects. House of Ritual Services, Vilnius He heard Joy Division, and realised that this brutal world was the landscape they were describing: ‘On the tenth floor, down the back stairs, it’s a no-man’s-land’. Pop quotations are attached ...”

“... In Enrica Colusso​ ’s film Home Sweet Home, about the recently ‘decanted’ Heygate Estate in Elephant and Castle, southeast London, a town planner explains why nearly all the buildings around him – a large council estate and a covered shopping centre – have to be demolished. They’re not real streets, he says. They’re monocultures – allowing for just one type of thing, housing here, shopping there – and worse than that, they’re mono-tenure, one gigantic ‘project’ of poor people put in one place ...”

“... Architecture,’ Owen Hatherley states in his essay ‘The Brutishness of British Modernism’, ‘unlike the other arts, can’t be ignored, can’t be passively consumed, not if you have to live in it.’ His published writings thus far have been a stinging lash across the back of current architectural criticism – a necessary corrective to its supine state ...”

“... Soviet Union, but who knows in what spirit of Stalinist nostalgia people read it these days. Now, Owen Hatherley tells us, the Poles actually like their Palace of Culture. Moscow State University in its heyday (c.1953). I’ve noticed before the strange tendency of hateful buildings to become almost lovable after the passage of decades. Not all of ...”

“... is not only possible: it is already flourishing.’ Zero also published Militant Modernism by Owen Hatherley, One-Dimensional Woman by Nina Power and The Meaning of David Cameron by Richard Seymour, all of which grew from their authors’ blogposts. Such works amounted to ‘a kernel of a whole new left public’, according to another of Fisher’s ...”

“... with regard to Toni Morrison and other exemplars from the past. Like her fellow Zer0 author Owen Hatherley, Power has a curatorial, almost antiquarian attitude to the relics of vintage radicalism she admires. She writes of ‘the sheer crystalline simplicity of Morrison’s insights into the relationship between class, race and gender’. How ...”

“... children to private schools, got the smell of fish out of their clothes. In A New Kind of Bleak, Owen Hatherley describes how during its fishing boom years Aberdeen almost bankrupted itself with grand architecture and elaborate cultural legacies, yet ‘in the 35 years since Aberdeen became the oil capital of Europe, the city has not seen a single ...”