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“... The 215 men appointed by Nicholas II to the State Council, Russia’s highest legislative body, between 1894-1914 comprised the social and ruling élite of the old regime on the eve of its destruction. All the top aristocrats, government ministers, civil servants, judges, provincial governors, generals, admirals, church leaders and conservative academics retired to its comfortable velvet armchairs in the Mariinsky Palace ...”

“... When the Bolsheviks stormed the Winter Palace on the night of 25 October 1917, they discovered one of the largest wine cellars ever known to the world. During the following days, crowds went on a drunken rampage through St Petersburg. Shops were looted, and well-to-do houses robbed. Sometimes their owners were tortured or killed for sport. Mikhail Uritsky, one of the Bolshevik leaders of the October uprising, was dragged from his sleigh, stripped naked, and left to continue his journey on foot as he returned one snowy night from a meeting with Lenin ...”

“... When I returned to Moscow last June, it was clear from the start that the atmosphere of the place had changed considerably since my previous visit in the winter of 1985. Even the customs officials at Sheremetevo Airport behaved differently. The enormous influx of tourists since Gorbachev came to power must have softened their attitude, for they were no longer interested in the old ritual of spilling out the contents of my bags, and trying without any knowledge of English to tell which of my bedtime novels could be deemed ‘anti-Soviet ...”

“... What is Stalin?’ an Old Bolshevik asked Trotsky in 1925. After a moment’s consideration came the reply: ‘the outstanding mediocrity in the Party’. Trotsky’s contempt may in part be explained by the wounds which his own pride had suffered from the growth of Stalin’s influence among the party rank and file after Lenin’s death in January 1924 ...”

“... had been executed as an ‘enemy of the people’ in January 1938. Their mother died in 1992. Orlando Figes tells in piecemeal fashion the stories of hundreds of such families across the 700 pages of his book. The Whisperers brings Stalinist Russia squarely into the ‘era of the witness’ (as the French historian Annette Wieviorka has called ...”

“... and ‘but for avoidable errors or accidents none of this need have happened.’ As the title of Orlando Figes’s history of the Russian Revolution indicates, he sees it as a tragedy; and from time to time – particularly in the course of the year 1917 itself – he is tempted into ‘if only’ speculations. But he is far too good a historian, not ...”

“... not the country as a whole. Closer to the English in this respect are the Russians, who, as Orlando Figes has observed, collectively have an endless capacity for commenting on how Russian they are. It is easy to imagine a Russian counterpart to Beef and Liberty, although its proper subject would not be a national meat, but ...”

“... a friendly discussion. All this was the background to the Crimean War of 1853-55, the subject of Orlando Figes’s admirable book. The war was at once the most dramatic episode in the decline and fall of the Ottoman Empire, the bloodiest war waged between European powers in what was a largely peaceful century after 1815, and the only time during that ...”

“... February and October revolutions than in the post-October path towards terror and dictatorship. Orlando Figes, author of a widely read study of the revolution, The People’s Tragedy (1996), devotes a lively essay to showing that, had a disguised Lenin not been admitted without a pass to the Congress of Soviets on 24 October, ‘history would have ...”

“... are converted into Post-Modernists – Simon Schama, Robert Darnton, Natalie Zemon Davis and Orlando Figes. But Evans never cites an instance of these authors even borrowing the Post-Modernist label, let alone one showing that they conceive of themselves as working on behalf of an intellectual cause known as Post-Modernism (this despite his concern ...”

“... The title of Orlando Figes’s impressively wide-ranging book refers to a scene in War and Peace in which Natasha Rostov, the finest product of the European education favoured by the Russian aristocracy for more than a century, visits the far from luxurious home of a distant relative. He is a nobleman living in the country with his serf ‘wife’, Anisya; he has, it seems, abandoned that superior attitude to the Russian ‘people’, the narod, that generally characterises his class ...”

“... and Peace, its ‘triumphant affirmation of human life in all its richness and complexity’, as Orlando Figes puts it in an afterword to Briggs’s translation. As we have seen, the human interest may not be so warm, and I find it hard to see an affirmation of life in the book, as distinct from an immense understanding of it – even with the serenity ...”