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“... albeit afflicted with ‘hideously elongated debased Italianate windows’, which upset Nikolaus Pevsner. It was no palace. The sale was chiefly about its subtitle: Debo as sixth, youngest and last of the Mitford sisters. Between them they spanned the entire range of upper-class extremism, from Decca the ‘ballroom communist’ to ...”

“... Nikolaus​ Pevsner took an interest in cars. He considered them a form of industrial art. ‘It is only the taking of risks which makes life worth living,’ he said in the 1930s, maligning British car designers for their insufficient daring. But appreciation is one thing, driving another, and no matter how admiring or critical he was of cars and their design, Pevsner was always hopeless at the wheel ...”

“... does for public sculpture (but not sculpture inside churches or galleries) what Simon Bradley and Nikolaus Pevsner do for the buildings the sculpture is on (or near) in The Buildings of England volume on The City of London. In a way it does more. While buildings have to be interesting in themselves to get into ...”

“... when they do, the scenery is pretty inconsequential. Surprisingly, Essex is rather self-effacing. Nikolaus Pevsner’s introduction to his Buildings of England volume for Essex made it clear that he considered the county tainted by association. Who, he wondered in 1954, would ever want to go ‘touring and sightseeing’ there, after experiencing the ...”

“... to the purity of the white orthogonal architecture of the 1920s and early 1930s championed by Nikolaus Pevsner, the most conservative of progressives, who described English architecture of the 1950s as ‘not the functionally best solution, nor an economically justifiable solution, nor acceptable in terms of townscape’. Early on, conventionally ...”

“... The volumes​ of the Buildings of England series initiated by Nikolaus Pevsner unsurprisingly confine themselves to buildings and their settings, but it’s tempting to be distracted by what you already know about a place, about Brocket Hall in Hertfordshire, for instance, the latest county to have its volume revised and expanded by Yale ...”

“... poets, and between flattering Frenchmen (like André Maurois) and the bluff English. I revere Nikolaus Pevsner, but he will have to forgive me if I detect a touch of flirtatiousness in The Englishness of Art. One could labour the point, and offer reasons why no such concept could be valid, but I hardly think it is necessary. It is recognised when ...”

“... Staffordshire, was published in 1974, on the eve of the miners’ strike and the three-day week. Nikolaus Pevsner, begetter, editor and principal author of the series, had travelled thousands of miles over those years. England and its buildings had also come a long way. To read the first editions as they were never meant to be read, chronologically, is ...”

“... more cut off from the world than those in Manhattan. The previous year a naturalised immigrant, Nikolaus Pevsner, had sought to define ‘the Englishness of English art’ in his Reith Lectures ‘None of the other nations of Europe has so abject an inferiority complex about its own aesthetic capabilities,’ ...”

“... C.S. Lewis, had been in post since his youth, but new figures continually joined them. One was Nikolaus Pevsner, who by some quirk of mandarin humour was knighted the same year as Betjeman. Hillier struggles, unconvincingly, to find the roots of Betjeman’s unflinching hatred for the ‘Herr-Professor-Doktor’. In fact Hillier, and ...”

“... unalloyed pleasure’. It was an approach to architecture and to life very different from anything Nikolaus Pevsner had experienced in Göttingen and when, having left Germany in 1933, he joined the editorial team of the Architectural Review, he was not a natural fit. A division developed between the side of the magazine which espoused the International ...”

“... years as a local art critic, he left for London in 1949, soon to study architectural history under Nikolaus Pevsner at the Courtauld. In short order Banham became an assistant editor at Architectural Review and a charter member of the Independent Group, the extraordinary band of young artists, architects and critics (including Richard Hamilton, Peter and ...”

“... biography or in any of the three volumes of Lees-Milne’s abridged diaries does the name of Nikolaus Pevsner appear. Yet from 1945 onwards, Pevsner was also motoring round the country working on The Buildings of England, his county by county architectural survey that transformed the understanding of English ...”

“... shied away from both the architectural and the symbolic aspects of the subject, leaving only Sir Nikolaus Pevsner, in a brief and beguiling chapter in his History of Building Types (1976), to suggest some important lines of inquiry. Now, however, that omission is authoritatively repaired. The most flamboyant and familiar feature of the Victorian ...”

“... style, is obvious: we still tend to enjoy the Englishness of English Art, a formula projected by Nikolaus Pevsner, a naturalised German, under pressure of an international art history of the modern movement that is no longer fashionable. The return to the vernacular in architecture is the most marked consequence, but the effects can be sensed in ...”