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“... Namwali​ Serpell’s highly accomplished, highly deceptive novel The Furrows starts with the trauma of childhood grief. Its subtitle – ‘An Elegy’ – invokes the literary genre that most strongly addresses a single emotion. This theme is inhabited and then abruptly undermined ...”

“... Polanyi, Paul Ricoeur, Eve Kosofsky Sedgwick, Bruno Latour, Stephen Best, Toril Moi, Hal Foster, Namwali Serpell and others. Her current work is perhaps the liveliest and least plangent forum for questions about how to read and write criticism after theory. But read in isolation from this larger and longer conversation, it can look precariously open to ...”