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“... Readers making their way through Michael Bracewell’s latest novel may gradually become aware of a small but persistent ache: it comes of the author nudging them in the ribs. There is no chance of being caught napping during the various crises and cruces of The Conclave because Bracewell signposts them all with a diligence and clarity that would not disgrace a sightseeing guide ...”

“... paedophile, martyr, traitor, major minor writer. In an Omnibus programme broadcast late last year, Michael Bracewell claimed that he was ‘the century’s first pop celebrity’, and tried to persuade us that, in the manner of an Elvis or a McCartney, Wilde was a working-class lad made good. Cut to a shot of ...”

“... the two of them discuss the books he has been reading as they go. Writers under discussion include Michael Bracewell, Dick Hebdige, Lynne Tillman, Kathy Acker, Jean Baudrillard, Paul Johnson, W.G. Sebald. The eateries and supermarkets of Aberdeen are visited, and rendered, as far as I can see, entirely accurately. (I come from Aberdeen, which is how I’d ...”

“... and all-connecting to pause and magnify. He cites all the other clever British pop authorities – Michael Bracewell, Jon Savage, Simon Reynolds – while replicating their tendency to jump frustratingly between subjects and stiffen up their sentences with jargon. Haslam’s footnotes, interestingly, are much more relaxed and informative. Here he can just ...”

“... to this London post-punk scene of an international idea of what an avant-garde might be,’ Michael Bracewell explained to Kraus. Acker explored the roots of her own subculture, and the roots of those roots too: Burroughs took her to Genet, who took her to the French and anti-French traditions, both homegrown and that of the anti-colonial ...”