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“... and the juxtaposition of Goethe with Hitler – these are the two narrative axes along which Michael Kater tells the story of Weimar. It was the capital of Saxe-Weimar-Eisenach, a small duchy in the fragmented landscape of the Holy Roman Empire. Cranach lived there briefly, and Bach served even more briefly as court musician, but Weimar was ...”

“... Every picture tells a story – even the illustrations on the covers of books. Michael Kater’s cover shows a rather shabby, cabbage-patch Hitler attending a harvest festival in 1936, receiving the salutes of a crowd in which the faces of adoring women are prominent. The image is both revealing and misleading ...”