Search Results

Advanced Search

1 to 10 of 10 results

Sort by:

Filter by:


Article Types


To Botho Strauss in Berlin

Michael Hulse, 30 March 1989

... Your cool high-ceilinged life is naked as a stage, as if you’d taken an apartment where the set-designer of your dreams had recently moved out. It is a theatre after the première, filled up to emptiness with applause. I think of God the Almighty after the ball, sitting as you imagined him on the palace steps, asleep in his slippers and topper. Let there (he mumbles in his slumber, dreamy and calmly afraid) be light ...

A Chinese Tale

Michael Hulse, 27 July 1989

... I dreamt I was the simple trusting boy who took his wicked teacher’s jealous hand and climbed the mountain. And the teacher said he had to go away, but he’d be back, and if I happened to be hungry, why, all I need do was eat the stones. His eyes were fine strokes of a calligrapher’s brush conveying messages I could not read (though how I longed to learn and understand ...

I thought I saw Dante in Gonzagagasse

Jenny Diski: W.G. Sebald, 3 February 2000

by W.G. Sebald, translated by Michael Hulse.
Harvill, 263 pp., £16.99, December 1999, 1 86046 623 0
Show More
Show More
... detailed account. The oddness and formality of the writing make it feel like a translation, but Michael Hulse works very closely with Sebald in transforming the original German into English. I suspect that the translation from the German is remarkably good. It is as if the reader, too, is in exile, not permitted to wallow in easy, casual prose. Exile ...

Ancient Orthodoxies

C.K. Stead, 23 May 1991

by C.H. Sisson.
Carcanet, 64 pp., £6.95, March 1991, 0 85635 908 4
Show More
Dog Fox Field 
by Les Murray.
Carcanet, 103 pp., £6.95, February 1991, 0 85635 950 5
Show More
True Colours 
by Neil Powell.
Carcanet, 102 pp., £6.95, March 1991, 0 85635 910 6
Show More
Eating strawberries in the Necropolis 
by Michael Hulse.
Harvill, 63 pp., £5.95, March 1991, 0 00 272076 0
Show More
Show More
... career. Since his retirement from the Civil Service, publications have come more frequently. Michael Schmidt, his colleague on PN Review, has promoted his work; and Donald Davie, in one of those hot flushes that make his criticism so unpredictable and exciting, has declared Sisson’s ‘The Usk’ to be ‘one of the great poems of our ...


James Wood, 5 August 1993

The New Poetry 
edited by Michael Hulse, David Kennedy and David Morley.
Bloodaxe, 352 pp., £25, May 1993, 1 85224 244 2
Show More
Who Whispered Near Me 
by Killarney Clary.
Bloodaxe, 64 pp., £5.95, February 1993, 1 85224 149 7
Show More
Sunset Grill 
by Anne Rouse.
Bloodaxe, 64 pp., £5.95, March 1993, 1 85224 219 1
Show More
Half Moon Bay 
by Paul Mills.
Carcanet, 95 pp., £6.95, February 1993, 9781857540000
Show More
by Harry Smart.
Faber, 74 pp., £5.99, April 1993, 0 571 16793 4
Show More
The Autonomous Region 
by Kathleen Jamie.
Bloodaxe, 79 pp., £7.95, March 1993, 9781852241735
Show More
Collected Poems 
by F.T. Prince.
Carcanet, 319 pp., £25, March 1993, 1 85754 030 1
Show More
Stirring Stuff 
by Selwyn Pritchard.
Sinclair-Stevenson, 145 pp., £8.99, April 1993, 9781856193085
Show More
News from the Brighton Front 
by Nicki Jackowska.
Sinclair-Stevenson, 86 pp., £7.99, April 1993, 1 85619 306 3
Show More
Translations from the Natural World 
by Les Murray.
Carcanet, 67 pp., £6.95, March 1993, 1 85754 005 0
Show More
Show More
... style of interesting poets like Peter Didsbury, John Ash, Pauline Stainer and one of the editors, Michael Hulse, is not particularly ‘democratic’, but playfully enigmatic and donnish. There is a tendency to think aloud with a somewhat creaky jauntiness, as if the poets were sharing secrets with their desks; It has been raining all day, and I found ...

The German Ocean

D.J. Enright: Suffolk Blues, 17 September 1998

The Rings of Saturn 
by W.G. Sebald, translated by Michael Hulse.
Harvill, 296 pp., £15.99, June 1998, 1 86046 398 3
Show More
Show More
... the fetching. More engaging is a visit to the village of Middleton, and to the poet and critic Michael Hamburger, whose dreams and memories might have been created expressly for this book. ‘Why it was that on my first visit to Michael’s house I instantly felt as if I lived or had once lived there, in every respect ...


Jonathan Coe, 20 March 1997

The Emigrants 
by W.G. Sebald, translated by Michael Hulse.
Harvill, 237 pp., £14.99, June 1996, 1 86046 127 1
Show More
Show More
... an impression of Sebald’s habitual tone – measured, reflective and beautifully served by Michael Hulse’s translation – but they illustrate his tact in a wider sense. It is only at this point in the book that we have finally been challenged by an explicit reference to the Holocaust, an event adumbrated by the other narratives, casting its ...

What was it that so darkened our world?

Benjamin Markovits: W.G. Sebald, 18 October 2001

by W.G. Sebald, translated by Anthea Bell.
Hamish Hamilton, 415 pp., £16.99, October 2001, 0 241 14125 7
Show More
Show More
... part of The Emigrants, the first of Sebald’s novels to be translated from his native German (by Michael Hulse) and published in Britain, where Sebald has lived since 1966. In that episode, Sebald describes the life of Max Ferber (based loosely on the painter Frank Auerbach), a Jewish boy sent to England in 1939 to escape the Third Reich, in whose ...

Jamming up the Flax Machine

Matthew Reynolds: Ciaran Carson’s Dante, 8 May 2003

The ‘Inferno’ of Dante Alighieri 
a new translation by Ciaran Carson.
Granta, 296 pp., £14.99, October 2002, 1 86207 525 5
Show More
Show More
... W.G. Sebald (say), whereas really it is Vertigo, a version of Sebald’s Schwindel. Gefühle. by Michael Hulse. In the Belfast poems, the movement of words from one place or voice to another is a focus of attention. Carson encourages us to see that the slightest transposition matters. When he writes, ‘Spokesman for censored political party spoke in ...

On Not Going Home

James Wood, 20 February 2014

... his parents behind in Germany in 1939, when he escaped for England.When The Emigrants appeared in Michael Hulse’s English translation, in 1996, it was often described as a book about four victims of the Holocaust, which it was not – only two of the emigrants are direct victims. Because the book is deeply invested in questions of ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences