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Robert Walshe: Bumping into Beckett, 7 November 1985

... to cross steps with Jacques Laurent (Prix Goncourt, Grand Prix de I’ Académie Française), Max Gallo, Kenneth White (Prix Médicis Etranger), Jean-Edern Hallier, Marcel Schneider, Bernard Frank, Sartre when he was alive, Barthes likewise, Jean Genet, Wolfromm, Françoise Giroud, Le Roy Ladurie (who loafs by on a ...

Violets in Their Lapels

David A. Bell: Bonapartism, 23 June 2005

The Legend of Napoleon 
by Sudhir Hazareesingh.
Granta, 336 pp., £20, August 2004, 1 86207 667 7
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The Retreat 
by Patrick Rambaud, translated by William Hobson.
Picador, 320 pp., £7.99, June 2005, 0 330 48901 1
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Napoleon: The Eternal Man of St Helena 
by Max Gallo, translated by William Hobson.
Macmillan, 320 pp., £10.99, April 2005, 0 333 90798 1
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The Saint-Napoleon: Celebrations of Sovereignty in 19th-Century France 
by Sudhir Hazareesingh.
Harvard, 307 pp., £32.95, May 2004, 0 674 01341 7
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Napoleon and the British 
by Stuart Semmel.
Yale, 354 pp., £25, September 2004, 0 300 09001 3
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... covered Europe with graves, ashes and tears.’ Appropriately, The Battle won the Prix Goncourt. Max Gallo’s million-selling quartet of novels, by contrast, gleefully embraces the myth of the ‘grand homme’ in its most lurid, overblown form. If Rambaud displaces the focus from Napoleon to the ordinary men and women drowning in his wake, ...

Between Mussolini and Me

Lawrence Rainey: Pound’s Fascism, 18 March 1999

... had to remove his hat when the Fascist emblems and banners went by,’ the historian Max Gallo has written, ‘and some priests who did not react quickly enough were beaten until they bled.’ In the spring and summer of 1922 Arpinati stepped up the pace, co-ordinating a systematic offensive of squads from Bologna and Ferrara against the ...

Pint for Pint

Thomas Laqueur: The Price of Blood, 14 October 1999

Blood: An Epic History of Medicine and Commerce 
by Douglas Starr.
Little, Brown, 429 pp., £20, February 1999, 0 316 91146 1
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... a distinction between the ‘mythic and moral symbolism’ of blood, on the one hand, and what Max Weber might have called ‘disenchanted blood’, on the other. Some of the time Starr seems to think that the more disenchanted blood is, the more it is purged of its cultural baggage, the better. To take one example, ‘mythic and moral symbolism’ clouded ...

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