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“... Jacques’s version is only a little less absurd than Why Europe Will Run the 21st Century by Mark Leonard, a fellow seer of the Demos think tank Jacques helped to found. But there is another side to When China Rules the World at odds with its generally upbeat story. Internationally, China has ‘embraced multilateralism’, attracts its neighbours ...”

“... the seers of New Labour. Why Europe Will Run the 21st Century declaims the title of a manifesto by Mark Leonard, the party’s foreign policy wunderkind.2 ‘Imagine a world of peace, prosperity and democracy,’ he enjoins the reader. ‘What I am asking you to imagine is the “New European Century”.’ How will this entrancing prospect come ...”

“... into the role for which Arthur’s friends had cast him. The part of serious Jews (Waley himself, Leonard Woolf, Mark Gertler) was to be in attendance on disaster, and to pick up the brilliant pieces. All that Alison could do, after she had separated from her husband, was to bring up her child and wait and hope for the ...”

“... themselves into a Scottish Parliament which has struggled to live up to expectations. Richard Leonard, elected as the new leader of Scottish Labour last month, ran on a platform condemning the ‘managerialism’ that has characterised both Labour and the SNP’s approach to devolved government since 1999, pledging to ‘stretch every sinew’ of an ...”

“... from social and moral ones, that ‘the manner in which Virginia’s madness is discussed by Leonard Woolf, Quentin Bell or the editors of the Letters and Diary shows that their use of the term is at best uncritical, and at worst irresponsible,’ Trombley sets out to show that there is no ‘concrete evidence’ that Virginia Woolf was mad. Or, to quote ...”

“... two things I find amuse me (and perhaps everyone) – wit and the flesh,’ Strachey wrote to Leonard Woolf from Cambridge in 1904. This is partly bravado, of course, but the exercise of his own wit on the vicissitudes of the flesh was clearly one of Strachey’s favourite forms of love-making. From the age of 22 until little more than a year before his ...”

“... to be a fine example of that disability. What, for example, could have seemed more wide of the mark than her prediction of 1925 that the Liberal Party would only re-emerge as a force in the country once it had formed an entirely new party by allying itself to disaffected Labour supporters, creating a rift among Socialists and bringing in Conservatives. The ...”

“... Lenare was founded in 1924 by Leonard Green, whose portrait baptises this collection of society photographs. Facing him is an Unknown Woman, captured at the War’s end in an inverted pigeon’s nest and furs: she was presumably the first and certainly the last unknown woman to confront his lens. Lenare wanted fame and wealth to pose for him, and they did ...”

“... on her in 1946 by the black dogs of the title. In The Innocent, set in Berlin in the mid-1950s, Leonard Marnham, a telephone communications specialist, is having an affair with Maria Eckdorf, a German. But they murder Maria’s ex-husband and dismember his body and find that their relationship can’t survive that traumatic experience. The central ...”

“... writers: Douglas Dunn, Tony Harrison, Linton Kwesi Johnson, John Agard, Grace Nichols and Tom Leonard, to name a few. For some, ‘literary art’ is a territory to be attained (Harrison’s ‘we’ll occupy/ your lousy leasehold, poetry’), in others a rule-book to be torn up (Agard’s ‘mugging de Queen’s English’), in others again a privilege ...”

“... months I had spent working at Chatto & Windus before I came up to Cambridge, and that I had seen Leonard Woolf there from time to time on Hogarth Press business. Forster venerated Woolf (‘What a life he has led,’ he once wrote. ‘And how well he has led it’). Woolf had been a great help when he had stalled in writing A Passage to India and wanted ...”

“... enough. Always hurry. I am now going in, to see L. and say stay this moment. Her going in to see Leonard, and murmur to him her version of the line from Faust, moves us more than the idea itself. Ever since the Romantics the notion of being a passive recorder, a chameleon, a Proteus of the fire and flood, a vessel of negative capability, had not ceased to ...”

“... of the Spanish Empire it is a story of Central and Northern Europe – and the peace treaties that mark its history tell the tale of its concentrated locale: Augsburg (1555), Westphalia (1648), Utrecht (1713), Vienna (1815), Versailles (1919). These constitutional shifts brought in their wake spectacular upheavals in politics: the revolutions, liberations and ...”

“... cashing in on their fictional characters’ popularity – Nichelle Nichols’s Beyond Uhura and Leonard Nimoy’s I Am Spock – but they are not very convincing. Nichols claims that her character is a testimony to the series’ ‘multiculturalism’ and that multiculturalism is what made the series a hit. There is a sort of a point here, but it does not ...”

“... critical biography of Blitzstein which was published last year, under the Shakespearean title Mark the music. Not surprisingly, Gordon’s view of Bernstein’s indebtedness to Blitzstein proves to be identical with her own: without argument or evidence, Gordon alleges that Bernstein had ‘transparently “borrowed” a musical theme’ from Regina ...”