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“... day, she was now a genius at always having her hair completely on point. Of course that style, the Louise Brooks thing, was easy to manage, but … Iona could feel herself getting distracted and forced herself to snap out of it. This was a crisis. She could die on a raft with Laz or she could maybe, just maybe, cut herself loose and float to ...”

“... He had thought of casting Marlene Dietrich in the role, a wonderful idea. But a different idea. Louise Brooks’s performance has a kind of innocence that takes us a long way from Dietrich, and above all it relies on her ability to look as if she can’t stop laughing, even when she’s scared or angry. She has an infectious kindness too, she wants ...”

“... a proponent of free love, which he practised with a number of women, including the journalist Louise Bryant, who said she was getting ‘too serious’ about him, before she sailed to Russia to meet her husband, John Reed; she left Thayer a nude photo of herself and implored him to visit her in Europe, ‘anywhere you say’. He maintained good relations ...”

“... Gray was close, though it’s hard to say how close, to the singer Damia, to the artist Romaine Brooks and to Gaby Bloch, companion-cum-manager of the dancer Loie Fuller. She knew and admired Gertrude Stein, but mostly steered clear of her salon; she tended to mock the coterie around Djuna Barnes, with their white gloves and martinis at the Flore; and seems ...”

“... Gothic elements could be given the rejuvenating moniker ‘magic realism’, and the career of Louise Erdrich was made. None of this is, by the way, particularly bad. Silly: yes. Distracting: usually. Necessary: well, probably. Certainly from a marketing point of view, but, from a critical standpoint, there’s something to be gained by charting the ...”