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“... which made the Little Review famous, the serialisation of Ulysses, pivots around the figure of John Quinn, antisemite and inspired collector, who sponsored Pound as the paper’s foreign editor and paid for contributions by Eliot, Joyce and Wyndham Lewis. Pound recognised the dangers of publishing Joyce: ‘It might be well to leave gaps,’ he ...”

“... bridge over the river; until at last you get to Roscommon town, somewhere you might have heard of. John McGahern’s new novel demands a kind of triangulation if you’re to make sense of it. Carrick-on-Shannon is (perhaps) a short drive away; in the other direction you’ll get to Longford in a while. If you don’t try to make sense of it, the barely ...”

“... A facsimile of the Rosenbach manuscript – a fair copy of the text of Ulysses which Joyce sent to John Quinn in instalments between 1920 and 1922 – came out in 1975. Having argued unsuccessfully that the ‘underlying materials’ were implicitly published with the first edition, the defence then said that the amount copied was little enough not to ...”

“... The self-portrait by Gwen John hanging in the National Portrait Gallery was painted in 1899 or 1900. She is dressed in the formal costume of the period: a tight-waisted blouse with leg-of-mutton sleeves and a big black bow at the neck. Her hair is tied back and her hands are on her hips. She is slightly turned away from us, so only one hand is visible ...”

“... and she liked him as a man’. Now she oversaw the poet’s legacy with canniness and care. When John MacBride, Maud Gonne’s estranged husband, was executed after the 1916 Rising in Dublin, Yeats talked once more of marriage to Maud Gonne, and then became involved with her daughter Iseult, to whom he also proposed. Joseph Hone writes about this in his ...”

“... painter is entirely of one kind or the other, and fate clearly has a hand in the matter. Augustus John, who was generally of the first sort, had ambitions beyond the marketable portraits which sustained him and his reputation in the latter part of his life. His early drawings persuaded some critics that a great painter was about to emerge, but his figure ...”

“... Shortly before he died in 1922, John Butler Yeats wrote an angry, defensive letter to his eldest son William. W.B. Yeats had published a memoir in the Dial and his father objected to the almost parenthetical mention in one episode of an ‘enraged’ Yeats family. The remark unleashed in him a long-restrained irritation, prompting an impassioned defence of his daughters ...”

“... came from what might be called indirect patronage, such as the sale of proofs and manuscripts to John Quinn, the New York lawyer and patron whose interest had been sparked by Pound. Even the advances and royalties that Joyce received from the Egoist and its book-publishing wing were not the result of profits: Weaver subsidised both operations, and when ...”

“... 2012, Pallant House Gallery in Chichester put on an exhibition of works by the painters Gwen John and Celia Paul. What now seems obvious was then inspired. The comparison diminished neither. Two artists, distinct but in obvious affinity, spoke across their different periods and each made the other more necessary, more triumphant. It was as though ...”

“... annual stipend so he could concentrate on his poetry, only to commit suicide two years later; to John Quinn, a lawyer and collector to whom T.S. Eliot gave the manuscript of The Waste Land; to James Laughlin, founder and editor of New Directions (or Nude Erections as Pound liked to call it); to Alice Corbin Henderson of Poetry; to Scofield Thayer and ...”

“... of the Thirties almost certainly leads to a distorted view of the poet’s politics. Since John Quinn sent him a volume of selections from Nietzsche in 1902, Yeats had been a fascinated admirer. The Nietzsche he aligned with Blake and Shelley in Ideas of Good and Evil, while acknowledged to be ‘violent’, was clearly on the side of the good ...”

“... was not conventionally handsome.’ The crayon sketch of Connolly on the jacket, by Augustus John, is no oil painting. But what might make us reluctant to spring to Connolly’s defence is that he said the same sort of thing about others, while characteristically mingling it with self-disgust: ‘Back in London met Princess Bibesco and did not care for ...”

“... was to further his own work.’ But those who stayed behind were even more remote from reality. ‘John Sargent, painting in the Austrian Tyrol, continued undisturbed.’ Pound carried on fighting for T.S. Eliot. Jacob Epstein told his patron John Quinn: ‘My business as I see it is to get on with my work ... Everybody ...”

“... of his rage at intrusions into his privacy, and one remembers him forcing the withdrawal of John Peter’s article from Essays in Criticism because it suggested a homosexual element in his relationship with Jean Verdenal. Lyndall Gordon reports a conversation with Mary Trevelyan which makes him seem mildly amused about this imputation, but his first ...”

“... we read it as a version of what happened. The value of Congo was at first its ivory. But in 1888, John Boyd Dunlop, an Ulster Scot living in Belfast, made a discovery which would make the Congo Basin one of the most lucrative places on earth. In The Devil’s Milk: A Social History of Rubber, John Tully describes the moment ...”