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“... may occur more frequently than elsewhere.”’ Robin Hood Gardens​ coincided with what John Boughton describes as a ‘golden age of council house building’, but in Municipal Dreams he doesn’t include it in his ‘pantheon’, ‘despite the affection in which it is held by the architectural great and good’. Richard Rogers compared Robin ...”

“... of Frost’s rival definitions of the idea of home. The home in question is that of the Boughton family. The Reverend Robert Boughton, readers of Gilead will remember, was the best friend of the Reverend John Ames, the narrator of that novel, which is written in the form of a ...”

“... books concentrate fiercely, and indeed lovingly, on just two households, that of the Reverend John Ames, and his lifelong friend the Reverend Robert Boughton, with flashbacks in Lila into the eponymous heroine’s life before she came to Gilead and married Ames and had a son with him. Gilead takes a strand from ...”

“... the ‘deeper thinkers’ of the 1870s, carrying forward the social conscience of Dickens, while John Everett Millais, no less than his French homonym, possessed a manner affectingly and ‘personally intimate’.In chasing the works that Van Gogh looked at in London, the Tate exhibition takes us on some journeys in taste. It is easy enough to be stirred by ...”

“... sources and give them life within her fiction is quite exceptional. The Protestant martyrologist John Foxe relates in sketchy detail, with much acknowledgment that his sources are imperfect, the burning of the Lollard Joan Boughton at Smithfield in 1494. ‘The night following that she was burnt,’ Foxe says, ‘the most ...”

“... scattered collections – made by Marion Scott, the Gurney family, Ivor’s Gloucester friend John Haines, Vaughan Williams and others – into a central archive. The process continued after Finzi’s death in 1956. Neither Gurney nor Scott had bothered much about dates and the habit of confusion grew by amalgamation. Blunden, returning manuscripts ...”

“... The self-portrait by Gwen John hanging in the National Portrait Gallery was painted in 1899 or 1900. She is dressed in the formal costume of the period: a tight-waisted blouse with leg-of-mutton sleeves and a big black bow at the neck. Her hair is tied back and her hands are on her hips. She is slightly turned away from us, so only one hand is visible ...”

“... by the Congregationalist minister of just such a small, left-behind community, in Iowa in 1956. John Ames is in his seventies, married to a much younger second wife, Lila, and with a seven-year-old son; the novel is written in the form of a letter for the boy to read when he is an adult. Ames adds to the letter day by day; alongside stories out of the past ...”

“... for its ‘gentleness and refinement’. On the other hand, the fact that so many portraits by John Opie ‘are thoroughly dull, if not frankly bad’, was owed to the fact that as the son of a carpenter ‘he had no elegance in his make-up, but was commissioned to do portraits of fashionable persons.’ Remarkable for its range as Waterhouse’s book ...”

“... haze, and he finds himself wrapped in the climate of his childhood.’ The smell of Father John Forest being burned in May 1538 makes him recall the (fictional) episode, originally rehearsed in Wolf Hall, in which the ‘what – eight years old?’ (in Wolf Hall ‘nine or so’) Cromwell witnesses the burning of the Lollard Joan ...”

“... hour. The following year, there was an all-British programme: Vaughan Williams, Ireland, Delius, Boughton and Walton, before Sargent concluded the programme with Elgar’s Cockaigne Overture and Serenade for Strings, followed by ‘Land of Hope and Glory’ and the Sea Songs. For this 1948 final Prom, some Promenaders queued for more than twenty hours so as ...”