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“... when the whole company of Angry Young Men was assembled. Kingsley Amis, Philip Larkin and John Wain knew one another at Oxford, but had little to do with autodidacts like Colin Wilson, John Osborne and Alan Sillitoe – this last name less often mentioned in this context than might have been expected, doubtless ...”

“... By the time you read me, anything might be happening. Brian Clough or Bob Stokoe or Elton John could be the new England manager, nursing bruised dreams for the World Cup in 1986. On the other hand, Sir Ron Greenwood might even now be contentedly inspecting the hotels in Bilbao, hoping to find a likely venue for the lads next summer. Thanks to a series ...”

“... were also a frequent trigger. In the 1860s the High Church principles of Thomas Keble (brother of John Keble, a leading figure in the Tractarian movement) became unpopular in his Gloucestershire parish, producing resentment that might have exacerbated opposition to the enclosure of local common land. In 1864, a disturbing letter arrived for ...”

“... retaining it and FIFA be damned – what is this about ‘Englishness’? It is this question that John Lucas sets himself to answer, in considering the poetry of two centuries. He has one immediate cultural handicap: he cannot refrain from sniping at his own side (the English), as if to provide credentials of fairness. But what he says often seems more ...”

“... of Robeson’s music was even more problematic. He was happy enough to perform songs like ‘John Brown’s Body’ and ‘Old Man River’, written by whites about what the blacks must be suffering, but he thought jazz had been ‘debased’ by white influence. When someone in a Des Moines audience asked for ‘St Louis Blues’, Robeson’s manager ...”

“... was fierce. Goldfinger – assisted by such influential neighbours as Roland Penrose, Flora Robson and Julian Huxley – successfully defended his design, citing its kinship to the formal articulation and clarity of the Georgian terrace. ‘Only the Esquimeaux and Zulus,’ he said, ‘build anything but rectangular houses.’ The houses were duly ...”

“... box-office; he may even have paid.The film had already started, Errol Flynn flirting with Flora Robson as Queen Elizabeth while the usherette showed us down the aisle and before we had even sat down the man was pinching me and remarking on my nice chubby legs. This seemed fairly boring to me as, so far as I was concerned, they were just legs, but I put up ...”

“... in other translations; but, then again, reading Brill and Joan Riviere and Katherine Jones and Robson-Scott had not been illuminating. I didn’t, in other words, really think that Strachey was the problem with Freud. I was quite happy to be locked up in Strachey’s Freud and the myth of the Standard Edition and assume that it was more or less for all ...”

“... word, I sit halfway down the south aisle festooned in hearing aids in the lee of a plaque to Flora Robson. But someone must have taken the acoustics in hand because if anything it’s too noisy and I turn one of them off. It’s a good service, a model, with none of the speakers – his two sons, Richard Eyre and Robert Bathurst – outstaying their welcome ...”