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“... on lavatory walls. This seems to be the message of ‘Mene, Mene, Tekel, Up-harsin’, one of John Cheever’s loopy, luminescent, triumphant later stories. The narrator, returning to America after a long absence, enters a stall in the men’s room at Grand Central Station, and there, etched into the marble partition (‘it might have been a ...”

“... In 1964, Time published a profile of John Cheever which, in a sub-heading, described him as ‘The Monogamist’. Subsequent events have proved that not to have been the fact-checkers’ finest hour. In 1984, two years after his death, Susan Cheever published Home before Dark, a memoir which portrayed her father, whose public image was that of an impeccably upper-middle-class monogamist suburban WASP, as a promiscuously bisexual alcoholic ...”

“... One time in four, and usually to everyone’s surprise, John Cheever’s heroes spring a wry and furtive victory over disappointment. Cheever is irresistible in describing those delicious moments of triumph when a dogged loser suddenly strikes a home run – like Farragut’s escape from the penitentiary at the end of Falconer ...”

“... John Cheever’s two celebrated novels, The Wapshot Chronicle and The Wapshot Scandal, are now reissued in one volume. In this form, we can see that the two are really one and the end was always implied in the beginning. We are often told that the American novel is not very deeply rooted in the social world, that in a society so fluid and so quickly changing fiction hardly has time to take stock of the way things actually work and tends to blow up into some kind of surreal fantasy ...”

“... letters, screenplays, notebooks and minor stories, but written Brobdingnagian lives of John O’Hara and James Gould Cozzens), produced a sloppy, simple-minded, adoring doorstop of a biography entitled Some Sort of Epic Grandeur. André Le Vot, a French scholar, followed in 1983 with a graceful English translation of his stately, sensitive and ...”

“... forty years, as a fiction editor on the New Yorker, he advised and goaded Nabokov, Eudora Welty, John Cheever and John Updike. Now, at nearly ninety, Maxwell’s face has a prairie gauntness, as if hollowed out by exposure to those bracing talents. But in Britain his name is almost unknown. He was born in 1908 in ...”

“... John Updike’s unfailing geniality and fluent industry appear to get on a fair number of nerves, of which he’s slyly aware. (Is there anything he isn’t slyly aware of? That foxy grin conceals volumes.) When Updike was but a sprig, apprenticing at the New Yorker and carving out a little piece of Pennsylvania as his literary duchy, his gleaming facility was found suspect by some detractors, its satin finish the imposture of a fair-haired boy out to impress his elders with the fine flick of his exquisite perceptions and deflective modesty ...”

“... she’d given him. One evening in 1958 he turned up at the private girls’ school that Susan Cheever attended in Dobbs Ferry, about an hour’s drive up the Hudson from New York City. Her father, John Cheever, drove her to the school. ‘Joey!’ Cummings shouted when he spotted ...”

“... One of JohnCheever’s most famous stories is called ‘The Swimmer’. It is set, like much of his fiction, in the lawned suburbs somewhere outside New York City, and it is filled, like most of his fiction, with despair. The hero, Neddy Merrill, the father of four daughters, is sitting by a neighbour’s pool drinking gin when the idea comes to him that he might reach home by doing a lap of all of his neighbours’ pools on the way ...”

“... so he acquaints himself with this ‘testicular view’. One story in particular strikes him: John Cheever’s ‘The Country Husband’. The force of it disorients him, he realises, because in twenty sad, brilliant pages it demolishes the allure of the things for which he most longs: ‘husbandhood and fatherhood and a certain kind of woman who ...”

“... According to John Cheever, 1948 was ‘the year everybody in the United States was worried about homosexuality’. And nobody was more worried than the federal government, which was rumoured to be teeming with gays and lesbians. One might think that Washington’s attentions would have been focused elsewhere – on the Soviet Union, for example, or on Communist spies – but in 1950, President Truman’s advisers warned him that ‘the country is more concerned about the charges of homosexuals in the government than about Communists ...”

“... many of these powerful stories justify the comparisons made by his admirers: most pertinently, to John Cheever and Raymond Carver (Yates falls somewhere in between). But when Yates’s stories are encountered en masse – this new edition brings together his two collections and nine previously uncollected pieces – the uniformity of experience described ...”

“... or Frankly. If anything of Hemingway survives into this phase of Ford’s writing it is what John Cheever (himself an influence) claimed you could sniff in all of Hemingway’s work: the smell of loneliness. Ford had always been a writer with a message, in the sense that there was always a mood, a resolution, his fiction was drawn towards; he wanted ...”

“... gnomically (but it’s the truth), ‘Beckmann was time.’ He was successful early, painting John Martin-like catastrophes on a huge scale: visionary, awful, sandy things. The first monograph on him appeared before the First World War, when he was still in his twenties. In the war, he was an ambulance man on the Western Front, before suffering a complete ...”

“... unit, set square to the prevailing on-shore winds. The occupier, New York-born to a childhood in John Cheever commuting country, now reinvented as a Vietnam-vintage Irish citizen, removes all the offending oil paintings from the wall: jewelled landscapes in oil; lively, naive renderings of the headland on which the cottages have been ...”