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For a Lark

Patricia Beer, 21 March 1996

Hearts Undefeated: Women’s Writing of the Second World War 
edited by Jenny Hartley.
Virago, 302 pp., £12.99, May 1995, 9781853816710
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... the balance of the whole work to accommodate the hundreds of relevant contributions sent in. Jenny Hartley, compiler of Hearts Undefeated, did not pause to feel her way. With no frippery about sidelines to history, she set out to quote the voice of the people, the whole voice and nothing but the voice, except for a few editorial passages. She saw no ...

Ladies and Gentlemen

Patricia Beer, 6 May 1982

The Young Rebecca: Writings of Rebecca West 1911-17 
by Jane Marcus.
Macmillan, 340 pp., £9.95, April 1982, 0 333 25589 5
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The Harsh Voice 
by Rebecca West, introduced by Alexandra Pringle.
Virago, 250 pp., £2.95, February 1982, 0 86068 249 8
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The Meaning of Treason 
by Rebecca West.
Virago, 439 pp., £3.95, February 1982, 0 86068 256 0
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by Rebecca West.
Weidenfeld, 190 pp., £10, February 1982, 9780297779636
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... West treats the theme with the utmost ambivalence. Lily the showgirl seems to businessman Sam Hartley, and through his eyes to us, to have the sort of independence within a sexual relationship that West wishes women to aspire to. During the negotiations that take place before Sam sets up Lily officially as his mistress, ‘she was so magnificently free ...

Hanging Offence

David Sylvester, 21 October 1993

... eye is also a mouth and a nostril and a wound, and a stunningly handsome and inventive example of Jenny Holzer’s electronic signboards. Women artists are at last beginning to be gold medallists rather than bronze medallists among their generation, like Jewish artists fifty years ago. Those moments of pleasure and excitement, with their play between the ...

In the Potato Patch

Jenny Turner: Penelope Fitzgerald, 19 December 2013

Penelope Fitzgerald: A Life 
by Hermione Lee.
Chatto, 508 pp., £25, November 2013, 978 0 7011 8495 7
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... go, a handsome Guard-ee type’, Penelope had ‘the brains’. Louis MacNeice, Stevie Smith, L.P. Hartley were among the Review’s English-language contributors, but stronger indications of Fitzgerald’s inner life and future come from the pieces she wrote, signed and unsigned: about Jarry, Munch, Moravia, Medardo Rosso – the Italian interest was to ...

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