Search Results

“... and a complete scorn for other people – and they are a ‘bande à part’, as both Proust and Jean-Luc Godard call such a gang. But the girls’ role in the novel is not now to trigger a scene in which the narrator plays a socialite clown. They are instead a sort of magical species whose very existence fascinates him, so that, however much time he ...”

“... main interest for many readers: their having gone on to make the films of François Truffaut, Jean-Luc Godard, Jacques Rivette, Claude Chabrol and Eric Rohmer. Their polemical stance as critics (with the exception of their brilliant mentor, the metaphysically-inclined André Bazin) was an attempt, ultimately successful, to create the taste by which ...”

“... Georges Simenon in the Série Noire that gave film noir its name. French homages to noir – the Jean-Luc Godard/Jean-Paul Belmondo Breathless, made the year Chandler died, and the François Truffaut/Charles Aznavour Shoot the Pianist – fulfilled the form as tragedy and initiated the New ...”

“... that separated the incarnate and fallen world from the disembodied condition of the angels. When Jean-Luc Godard, in his update of the Nativity story, Je vous salue Marie, closed with a shot of his Mary painting herself a bright red mouth in the wing mirror of her car, he was offering an orthodox theological rebuttal of the ascetic tradition, asserting ...”

“... The Casa Malaparte, where Jean-Luc Godard shot Le Mépris, was built by the formerly Fascist, soon-to-be Communist writer and journalist Curzio Malaparte in the late 1930s. It stands, or rather crouches, like a predator ready to pounce, on a promontory on the eastern side of Capri, overlooking the Gulf of Salerno ...”

“... And Kötting encouraged children in the care of a distinctly Europhile young woman in a grey Jean-Luc Godard Masculin Féminin sweatshirt to make felt-tip additions to the art on his baggy suit. With the dappled acres of Knole, deer in the shadow of ancient oak trees, long straight paths, and a descent by tangled hollow way to Samuel Palmer’s ...”

“... can have a real kick. Prostitution as a subject lends itself to any number of cheap analogies. For Jean-Luc Godard it was a figure of capitalism, for Philip Larkin it shadowed every intimate relationship, since he assumed that men were doomed to pay for their pleasure one way or another. Here it is treated without hysteria or dogma, as only one ...”

“... British rock group Kaiser Chiefs’. The links can be tenuous, to say the least. Jean-Luc Godard gets in for A Bout de souffle. OK, but Weight makes it sound like Summer Holiday with Gitanes and avant-garde haircuts. Alain Delon gets two mentions – one for a Smiths sleeve, the other for being an early scooter adopter. (None for his ...”

“... into submission by LSD and hedonism. Paris’s leading artists and intellectuals praise the camp; Jean-Luc Godard offers to shoot a collaborationist film. The title of the story, ‘I Am a Young Man Alone’, expressed its author’s predicament. Two decades after the end of the war, at the height of its trente glorieuses, France had moved on, but ...”

“... Dionysus and Pan, with their none hipper retinue: Kenneth Anger, Christopher Gibbs, Gram Parsons, Jean-Luc Godard. The Beatles grew sheepdog hair and Bakunin beards, and adopted the statutory exotic guru, but they never really had anything like the Stones’ sullen, dandified grandeur. The Stones were exquisites; the Beatles were Everyman. It’s the ...”

“... Rohmer’s work has never been especially cool or iconic, yet more than François Truffaut’s or Jean-Luc Godard’s it divides audiences right down the middle. Those who like his films are often protective and passionate and have seen them all; those who don’t complain of boredom and pointlessness. The complaints are partly a result of the subject ...”