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‘Who is this Ingrid Bergman?’

Gilberto Perez: Stroheim and Rossellini, 14 December 2000

Stroheim 
by Arthur Lennig.
Kentucky, 514 pp., £25, December 1999, 0 8131 2138 8
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The Adventures of Roberto Rossellini 
by Tag Gallagher.
Da Capo, 802 pp., £16.95, October 1998, 0 306 80873 0
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... can attach to them.’ The best thing in Stromboli (1949), the first of Rossellini’s films with Ingrid Bergman, is the documentary sequence of tuna fishing: the reaction shots of Bergman in which Rossellini attempts an articulation – the attachment of an idea to the experience – are clumsy, but the fishing scenes ...

As time goes by

Brenda Maddox, 2 July 1981

Ingrid BergmanMy Story 
by Ingrid Bergman and Alan Burgess.
Joseph, 480 pp., £9.50, November 1980, 0 7181 1946 0
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... reaches over with her fork and eats most of her husband’s. Does it tell us something about Miss Bergman’s capacity for self-deception that she could neither leave Alan Burgess alone to write her biography nor sit down and write her own? Instead, they did it together, the actress and the author. Mr Burgess wrote The Small Woman, from which Miss ...

The Kiss

Gaby Wood, 9 February 1995

Jean Renoir: Letters 
edited by Lorraine LoBianco and David Thompson, translated by Craig Carlson, Natasha Arnoldi and Michael Wells.
Faber, 605 pp., £25, October 1994, 0 571 17298 9
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... correspondences (both sides are published) with Robert Flaherty, Dudley Nichols, Clifford Odets, Ingrid Bergman and François Truffaut. Many letters are exchanged, but since Renoir also actually saw these people, their friendship must have evolved in some space other than their writings, and a lot of the letters are filled with little pleasantries. So ...

Homage to André Friedmann

Peter Campbell, 7 November 1985

Robert Capa 
by Richard Whelan.
Faber, 315 pp., £15, October 1985, 0 571 13661 3
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Robert Capa: Photographs 
edited by Cornell Capa and Richard Whelan.
Faber, 242 pp., £15, October 1985, 0 571 13660 5
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... to whom he gave pictures of her that she’d been his wife. After the war, he had an affair with Ingrid Bergman – but he did not like Hollywood and neither was willing to shape their life to fit that of the other. When the Second World War arrived he was prepared: with skills, an instinct for where the last bed, bottle, or plane out would be found and ...

At the Movies

Michael Wood: ‘Journey to Italy’, 6 June 2013

Journey to Italy 
directed by Roberto Rossellini.
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... in a happy end they can’t want. The characters are Alex and Katherine, George Sanders and Ingrid Bergman. They have come to Italy to sell a property they have inherited from the person they call Uncle Homer, a man who appears to have had the gift for enjoying himself that they so conspicuously lack. The property is a house near Naples. They drive ...

At the Movies

Michael Wood: ‘The Peeping Tom’, 2 December 2010

The Peeping Tom 
directed by Michael Powell.
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... to entertain such mundane suspicions – and not to tell ourselves, as Hitchcock memorably told Ingrid Bergman, that it’s only a movie – because there is more, something we don’t see until late in the film. It’s not just that the tripod has a knife, it’s that the camera has a mirror mounted on it and held up to the victim. She sees not only ...

At the Movies

Michael Wood: ‘Murder on the Orient Express’, 30 November 2017

Murder on the Orient Express 
directed by Kenneth Brannagh.
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... rather than the character Christie dreamed of. Penelope Cruz becomes an intriguing variant on Ingrid Bergman, who was already not only playing against type but playing with type. She got an Oscar for failing to pretend to be a diffident, dim-witted Swedish woman full of guilt and religious zeal. The most intriguing comparison perhaps is between ...

In the dark

Philip Horne, 1 December 1983

The Life of Alfred Hitchcock: The Dark Side of Genius 
by Donald Spoto.
Collins, 594 pp., £12.95, May 1983, 0 00 216352 7
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Howard Hawks, Storyteller 
by Gerald Mast.
Oxford, 406 pp., £16.50, June 1983, 0 19 503091 5
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... left Hitchcock with a faint scar on the chin. He also wrote the wondering, stunned reaction of Ingrid Bergman in Notorious (1946) to the news of her father’s suicide (Hitchcock’s elder brother had died, probably by his own hand, in 1943). Such eloquently personal contributions illuminate the idea of authorship. It seems important to know, of ...

Shenanigans

Michael Wood, 7 September 1995

The Moor’s Last Sigh 
by Salman Rushdie.
Cape, 437 pp., £15.99, September 1995, 0 224 03814 1
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... as does Luis Buñuel’s dernier soupir (which appears as the Ultimo Suspiro petrol station). Ingrid Bergman and Humphrey Bogart were wrong, we learn, to think that a sigh is just a sigh: a sigh could be almost anything, and the name Zogoiby is a version of the Arabic elzogoybi, ‘the unlucky one’, the sobriquet traditionally attached to ...

Look beyond the lips

Bee Wilson: Hedy Lamarr, 28 July 2011

Hedy Lamarr: The Most Beautiful Woman in Film 
by Ruth Barton.
Kentucky, 281 pp., £25.95, May 2011, 978 0 8131 2604 3
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... member of her generation of ‘European exiles to Hollywood’ along with Peter Lorre and Ingrid Bergman. Carefully researched and zippily written, the book is the definitive companion to Lamarr’s films, from the glamour of Ziegfeld Girl (1941), in which Hedy sported a showstopping jewelled headdress, to the screwball comedy Comrade X ...

At the Movies

Michael Wood: ‘Lust, Caution’, 24 January 2008

Lust, Caution 
directed by Ang Lee.
October 2007
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... tears, we know she will never be able to cry in this way outside the movie house. She is watching Ingrid Bergman, in Intermezzo, I think, and no one in her film – either in Lust, Caution or in the fiction she is acting out in the story – will ever declare his love, or say anything, as directly as Leslie Howard does in that Western ...

At the Movies

Michael Wood: ‘Inside Man’, ‘V for Vendetta’ , 11 May 2006

Inside Man 
directed by Spike Lee.
March 2006
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V for Vendetta 
directed by James McTeigue.
March 2006
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... are two good reasons for not worrying about it. First, this is only a movie, as Hitchcock told Ingrid Bergman when she was trying too hard to act like a real person; and second, some people know about the banker’s misdeeds even before they’ve seen the documentation. If we needed a third reason, we could find one in Christopher Plummer, who plays ...

On Fanny Howe

Ange Mlinko: Fanny Howe, 5 October 2017

... material to Howe’s imagination: from Roberto Rossellini’s film about his life she can touch on Ingrid Bergman in Stromboli, pregnant and lost on an Aeolian island ‘in a continual state of eruption’, and in Europa ’51 as the bereaved mother who finds God. From Clare’s self-imposed hunger she can conjure Simone Weil, who left the anti-fascist ...

Diary

Jonathan Lethem: Theatre of Injury, 15 December 2016

... is to the George Cukor film of the Patrick Hamilton play Gaslight, in which Charles Boyer drives Ingrid Bergman mad with self-doubt through devious manipulations that include the gradual damping-down of the gaslight lamps in their marital home. Use of the accusation might tend to exculpate the accused, since anyone capable of applying it is surely ...

Ages of the Train

Christopher Driver, 8 January 1987

The Railway Station: A Social History 
by Jeffrey Richards and John MacKenzie.
Oxford, 440 pp., £15, April 1986, 0 19 215876 7
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The Railways of Britain: A Journey through History 
by Jack Simmons.
Macmillan, 255 pp., £15.95, May 1986, 0 333 40766 0
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... backdrop to the shunting trains of life itself. When Humphrey Bogart in Casablanca was forsaken by Ingrid Bergman and entrained at the Gare de Lyon, when Celia Johnson and Trevor Howard had their Brief Encounter in Carnforth refreshment room, their audiences were emotionally prepared for the settings. Boarding-school children learnt early to associate ...

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