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“... Michèle Bernstein stated simply. ‘And there was the father we loved, Dada.’ Her partner, Guy Debord, gave this triangulation a dialectical flourish in The Society of the Spectacle: ‘Dadaism sought to abolish art without realising it; Surrealism sought to realise art without abolishing it. The critical position since developed by the ...”

“... cultural centres appear as sites of spectacular spectatorship, of touristic awe. Thirty years ago Guy Debord defined spectacle as ‘capital accumulated to such a degree that it becomes an image’. With Gehry and other architects the reverse is now true as well: spectacle is an image accumulated to such a degree that it becomes capital. Such is the ...”

“... lines long, prompted by a jilting and ending with a parody of Aristotelian composure. In 1457, Guy Tabarie, one of Villon’s accomplices, was remanded in connection with the robbery and supplied names to the authorities, but Villon was already out of reach. After a few years wandering in the provinces he was detained in Meung for some unspecified ...”

“... fashion, film, graphics and display have begun to dissolve. The ‘society of the spectacle’, as Guy Debord dubbed it in the Sixties, has engulfed every facet of visual communication. At the same time, the speed and scope of communication have intensified so that images of every type are disseminated much more rapidly, both within what remain of ...”

“... and a film series presenting adaptations of Sade’s works by Buñuel, von Stroheim, Pasolini, Guy Debord, Peter Brook and Nagisa Oshima. Meanwhile, the Bibliothèque de la Pléiade has published its fourth volume of Sade, a lavish 1150-page edition of the great erotic writings: 120 Days of Sodom, Philosophy in the Bedroom and Justine. The works span ...”

“... 1981 movie, Le Pont du Nord, are waving goodbye, along with the two keynote Situationists, Guy Debord and Raoul Vaneigem. The Other Paris is also an elegy to a lost era of rebelliousness. The hold-all counter-culture that Sante commemorates – including muggers and writers, painters and thieves, drunks and austere revolutionaries – is no longer ...”

“... without the supposed gravitas or intellectual kudos provided by references to Adorno, Benjamin and Guy Debord. Unnecessarily, Poschardt also insists on invoking Pink Floyd as a touchstone for the progressive and creative: the group gets 17 mentions in a book about DJs (more than Paul Oakenfold, Todd Terry, Grooverider, Sasha and Derrick May put ...”

“... party to dissolve). The PCF, on the contrary, had voted for the ‘special powers’ proposed by Guy Mollet’s government, which effectively handed the running of Algeria to the French military in 1956. And here was a rare irony in the uninflected fight Camus had picked. When he’d been a communist in the 1930s he’d grasped that the French party line was ...”

“... shattered by the événements of May 1968. Student radicals turned for wisdom to Henri Lefebvre, Guy Debord and Sartre, and anti-structuralist graffiti appeared on the walls of the Sorbonne. Disgusted by the protests, Lévi-Strauss withdrew from the Collège until they were over. ‘I walked inside the occupied Sorbonne,’ he said, ‘with an ...”

“... carousel of ammunition, and when they blow up, the results can be, in both the viral video and the Guy Debord sense, spectacular. It doesn’t help when English-speaking OSInt geeks outside Ukraine, reposting clips lifted from Telegram of Russian tanks being blown up, snigger about ‘turret-throwing competitions’.These are not the most difficult drone ...”

“... at a loss of $12 million a year – a high price-tag for respectability, even for a mega-rich guy. Newhouse wanted both respectability and profitability, and turned to Robert Gottlieb, editor-in-chief at Knopf (US publisher of Nobrow, for those keeping score), as the man to make this cocktail swirl. In a retrospect that is easy but exact, Seabrook sees ...”

“... difference, as I understand it, between what they were doing then and what we do now is that for Debord and his contemporaries psychogeography, the dérive and so on, were preliminary to the creation of some revolutionary new space, something like that envisaged as New Babylon. I don’t detect anything like this in the more recent activity, which seems to ...”

“... McLaren would have picked up the Situationist sensibility not by reading – the main texts, Guy Debord’s Society of the Spectacle for one, weren’t available in English translation until the 1970s – but by fraternising with King Mob and seeing photographs of the thought-bomb graffiti that proliferated in Paris in May 1968. Some of these ...”