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“... They play a passage, listen to it back, then give each other notes, and run over sections again. George Fenton, who is co-ordinating the music, also chips in, but he’s a musician. David Hunter, the director, chips in too, but he isn’t a musician, just knows what atmosphere he wants at various points in the film. In the finish, even I chip in just because ...”

“... pen names and spoof attributions figure centrally in the genre’s history, from Scott, to George Eliot, to Kilgore Trout. According to the massive, nine-volume Dictionary of Anonymous and Pseudonymous English Literature there are, largely speaking, only three reasons for masked authorship, all prudential: ‘Generally the motive is some form of ...”

“... himself given the opportunity: Suppose this poem were about you, would you put in the things I’ve carefully left out: descriptions of pain, and sex, and how shiftily people behave toward each other’? Naw, that’s all in some book it seems. For you I’ve saved the descriptions of chicken sandwiches, and the glass eye ...”

“... thought to have provoked lifelong neurosis about sex. The Companion does not record that George Meredith was instrumental in getting The Story of an African Farm published (poor old Meredith also loses his credit for helping Ouida and Marie Corelli into print). In her later career in England, the Companion portrays Schreiner’s relationships with ...”

“... Man and the Masks, Richard Ellmann wrote about 46 Palmerston Road in Rathmines in Dublin, where George Yeats lived between her husband’s death in 1939 and her own death almost thirty years later. Mrs Yeats lived, Ellmann wrote, among the dead poet’s papers. ‘There in the bookcases was his working library, often heavily annotated, and in cabinets and ...”

“... a thing of the past: ‘OUR nation is very important to the people of the United Kingdom. We’ve given away enough to Europe already.’ Kohl is ‘just interested in creating a ... superstate with Germany at its head’. But ‘Britain won’t be bullied. Germany should know that by now.’ ‘Let Kohl hear the people’s voice.’ The Sun opposes the ...”

“... to share their family photographs and their memories, up to a point. As William says: ‘You’ve got to maintain a barrier and a boundary’ between public and private life. It’s a lesson he has learned from parents who failed to manage it. What the public wants of public figures is not a real individual but a narrative, the living out of a recognisably ...”

“... was the first child and eldest daughter of the future fifth earl of Leicester, later an equerry to George VI, and his wife, Elizabeth Yorke, daughter of the eighth earl of Hardwicke. The first chapter of Lady in Waiting, covering her ‘idyllic’ early childhood, in which the young princesses Elizabeth and Margaret were often brought over to play, is ...”

“... to declare themselves. Some did, some didn’t ... Those who didn’t weren’t discovered. I’ve never heard they suffered in any way.’ A ‘Jersey clerk’, Bob Le Sueur, ‘remembers more’: namely, that Still never returned after being deported and that a Jewish man from Jersey was sent to a prison for the criminally insane where he was atrociously ...”

“... material on to Barbara Bray, the producer of All That Fall, who got to work on the translation I’ve just quoted. Beckett was still commending Le Square the following spring as he finished Krapp’s Last Tape, of which he wrote years later: ‘A woman’s tone goes through the entire play, returning always, a lyrical tone.’ So it’s possible that there’s ...”

“... Falkland’. 23 January (?) 1765: Byron takes formal possession of all the islands in the name of George III. On his voyage no settlement was left behind, though the surgeon of the Tamar planted a garden ‘with many esculent vegetables... for the benefit of those who hereafter come to this place’. 20 July 1765: decision made to send out another expedition ...”

“... lay one on for him. The first question he was asked was: ‘Would you write the same stories you’ve written if you were living in Nazi Germany?’ In Roth’s autobiography, The Facts, published in 1988, this is presented as a formative event in his relationship to Jewishness and to his writing. He was mildly suspicious of the set-up, since the title of the ...”