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At the British Museum

Peter Campbell: American Prints, 8 May 2008

... one by Franz Kline, the other by Willem de Kooning (they accompany poems written on the plates by Frank O’Hara and Harold Rosenberg respectively), a medium that makes delicate scratching and hatching possible is turned over to coarse brush strokes and crabbed handwriting. Yet both these plates and Lewis’s derive part of their force from a ...

At the Shrink

Janique Vigier, 22 October 2020

... Church, collaborating with Alice Notley, Ted Berrigan, Robert Creeley and others. John Ashbery and Frank O’Hara were their guiding lights. A new American poetics was taking shape: daily and referential, tough and casual. Between 1967 and 1969 Mayer edited, with Vito Acconci, the experimental mimeographed magazine 0 to 9, which combined work by poets and ...

At the Fondation Louis Vuitton

Eleanor Nairne: Joan Mitchell, 19 January 2023

... but she was reluctant to let clichés about the natural world attach themselves to her work. Frank O’Hara sent a letter within days of reading the interview, to congratulate ‘ma Baudelairienne actuelle’ on the central picture, George Went Swimming at Barnes Hole, But It Got Too Cold, which he said he longed to see again. He was too ...

On Mary Ruefle

Emily Berry, 14 December 2023

... generally short, are prose poems by another name. (‘It is even in/prose, I am a real poet,’ as Frank O’Hara put it.) The exception is her collected lectures, Madness, Rack and Honey (2012), which, she has observed, has been far more successful than any of her poetry collections.Ruefle has been the poet laureate of Vermont since 2019. She brings to ...

Flirting with Dissolution

Mark Ford: August Kleinzahler, 5 April 2001

Live from the Hong Kong Nile Club: Poems 1975-90 
by August Kleinzahler.
Faber, 82 pp., £8.99, September 2000, 0 571 20428 7
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... comes from Miles Davis. ‘If you’re not nervous, you’re not paying attention.’ It was Frank O’Hara, in his pseudo-manifesto ‘Personism’ (1959), who first advised poets just to run on their nerve, and in recent years, alas, the sub-O’Hara poem has become commonplace – a dash of surrealism, a dash ...

At the Whitechapel

Peter Campbell: Alice Neel, 19 August 2010

... and bulging around her as old flesh does. Jeremy Lewison in the catalogue calls it a ‘brutally frank self assessment’, ‘the obverse of a pin-up girl’. But brutal is the wrong word. It is certainly truthful about how things look, selectively truthful in the things it chooses to emphasise or simplify, aggressive perhaps, in the way of people who ...

Abecedary

James Francken: Ian Sansom, 20 May 2004

Ring Road: There’s No Place like Home 
by Ian Sansom.
Fourth Estate, 388 pp., £12.99, April 2004, 0 00 715653 7
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... was a shock. He had thought that no one wrote out of happiness – except for Emerson, Whitman and Frank O’Hara, a friend corrected him – just as no one writes when tired: ‘This is why there are no good books about babies. Or shiftwork.’ Sansom’s book collects anecdotes ‘like droppings’. There is the story of the first woman to receive ...

The Real Thing

Jenni Quilter, 21 April 2016

Restless Ambition: Grace Hartigan, Painter 
by Cathy Curtis.
Oxford, 432 pp., £20.99, April 2015, 978 0 19 939450 0
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... The Persian Jacket, off the wall of the gallery and back with him to MoMA. (Her close friend Frank O’Hara, working at the museum’s front desk, was there to see Grace’s official entry into the museum; the painting fitted into the cab, but not through the revolving doors, and had to be taken in through a side entrance.) She was the first of her ...

Porno Swagger

Edmund Gordon: ‘Cleanness’, 16 April 2020

Cleanness 
by Garth Greenwell.
Picador, 223 pp., £14.99, April, 978 0 374 12458 8
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... first two books responds to other gay writers in a similar way. He assigns his students Frank O’Hara ‘primarily for his joy, his freedom from guardedness and guilt’. But Greenwell’s own qualities aren’t necessarily those of his idols. Although he describes gay sex with total candour, the narrator’s pleasure is usually ambiguous and ...

Slowly/Swiftly

Michael Hofmann: James Schuyler, 7 February 2002

Last Poems 
by James Schuyler.
Slow Dancer, 64 pp., £7.99, January 1999, 1 871033 51 9
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Alfred and Guinevere 
by James Schuyler.
NYRB, 141 pp., £7.99, June 2001, 0 940322 49 8
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... death kissed me. I kissed it back’ (both in ‘Hymn to Life’, which is like a stray elegy). Frank O’Hara, Schuyler’s friend and sometime flatmate, is very obviously there (I’ll keep myself therefore to one example): ‘Look, Mitterrand baby’ (‘Simone Signoret’). O’Hara aside, this is not a matter of ...

At Dulwich

T.J. Clark: Poussin and Twombly, 25 August 2011

... He was interested in the proximity of a laugh to a rictus.) ‘Witty and funereal’ was how Frank O’Hara described Twombly’s sculptures early on. Poussin’s ‘The Arcadian Shepherds’ (c.1628-29) Across from the main exhibition is a room given over for the next two months to the Duke of Rutland’s five paintings, done by Poussin for ...

At the Munch Museum

Emily LaBarge: On Alice Neel, 5 October 2023

... with his knowing look, the girl glancing warily beyond the frame.Neel’s grisly 1960 portrait of Frank O’Hara (‘it’s too hatchet-faced,’ she later told Ted Castle) ushered in an era of large, vivid and often sparely-painted canvases, whose energetic lines and idiosyncratic perspectives nod to abstraction without ever fully embracing it. This new ...

Eternal Feminine

Ian Gregson, 7 January 1993

Landlocked 
by Mark Ford.
Chatto, 51 pp., £5.99, February 1992, 0 7011 3750 9
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The English Earthquake 
by Eva Salzman.
Bloodaxe, 64 pp., £5.95, May 1992, 1 85224 177 2
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Bleeding Heart Yard 
by William Scammell.
Peterloo, 63 pp., £6.95, May 1992, 1 871471 28 1
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The Game: Tennis Poems 
by William Scammell.
Peterloo, 48 pp., £6, June 1992, 1 871471 27 3
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Marconi’s Cottage 
by Medbh McGuckian.
Bloodaxe, 110 pp., £6.95, May 1992, 1 85224 197 7
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... wheat only rustled through its rosary once more. The most obvious influence on Ford is Frank O’Hara, with whom he shares a tendency to exclaim (‘What a life!’, ‘Hurrah!’, ‘What a thought!’, ‘Hush!’, ‘Hark!’), a desire to register the vertiginous rush of the present moment – for which driving with no hands is a vivid ...

Words as Amulets

Ange Mlinko: Barbara Guest’s Poems, 3 December 2009

The Collected Poems of Barbara Guest 
edited by Hadley Haden Guest.
Wesleyan, 525 pp., £33.95, July 2008, 978 0 8195 6860 1
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Women, the New York School and Other True Abstractions 
by Maggie Nelson.
Iowa, 288 pp., £38.50, December 2007, 978 1 58729 615 4
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... abstraction and idealism.’ To this end, Nelson contrasts the different ways in which Guest and Frank O’Hara compare words to rocks. O’Hara’s poem ‘Today’ giddily lists: Oh! kangaroos, sequins, chocolate sodas! You really are beautiful! Pearls, harmonicas, jujubes, aspirins! all the stuff they’ve always ...
Selected Poems 
by Patricia Beer.
Hutchinson, 152 pp., £5.95, April 1980, 0 09 138450 8
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The Venetian Vespers 
by Anthony Hecht.
Oxford, 91 pp., £3.95, March 1980, 0 19 211933 8
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Nostalgia for the Present 
by Andrei Voznesensky.
Oxford, 150 pp., £3.50, April 1980, 0 19 211900 1
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Reflections on the Nile 
by Ronald Bottrall.
London Magazine Editions, 56 pp., £3.50, May 1980, 0 904388 33 6
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Summer Palaces 
by Peter Scupham.
Oxford, 55 pp., £3, March 1980, 9780192119322
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... inventiveness and inquisitiveness. In his ‘Answer to Voznesensky – Evtushenko’, Frank O’Hara writes: ‘We are tired of your tiresome imitations of Mayakovsky/we are tired of your dreary tourist ideas of our Negro selves.’ O’Hara’s rebuff to the two Russian poets shows him as a weird and ...

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