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“... Most of us, it seems, tend to think of the ‘hero’ as someone who never hesitates. As soon as he has made up his mind, he acts. But in Hesitant Heroes Theodore Ziolkowski identifies texts central to the Western canon – the Oresteia, the Aeneid, Parzival, Hamlet, Wallenstein – which show heroes who hesitate at the moment of decision. He argues that each of these works uses the personal hesitation of a single character to represent a broad cultural crisis, a shift in values from one ethical or social norm to another ...”

“... The epigraph to Drinking Coffee Elsewhere comes from Alex Haley’s Roots: ‘The histories have been written by the winners.’ The implication is that this collection will give us the voice of the losers. But ZZ Packer looks like an outsider only if you concentrate exclusively on racial identity. She went to Yale and then to the Iowa Writers’ Workshop ...”

“... Some time around the ninth century, Sappho’s nine books were irrecoverably lost. We have some tantalising scraps, single lines and short quotations, but only one complete poem – the ‘Ode to Aphrodite’ (Fragment 1), which is quoted by Dionysius of Halicarnassus. A few longish passages from other poems have been preserved in other authors: the most famous is Fragment 31 (‘He seems to me equal to gods’), quoted at length in On the Sublime ...”

“... When​ Cardi B and Megan Thee Stallion released ‘WAP’ in August 2020, ‘conservative’ commentators such as Tucker Carlson expressed outrage that the song might corrupt ‘your granddaughters’; Alyssa Rosenberg in the Washington Post celebrated it as an ‘ode to female sexual pleasure’. The video featured the two long-lashed goddesses twerking their way through a gilded McMansion in fabulous candy-coloured outfits, like bethonged Disney princesses ...”

“... When the Romans won wars, they brought home large numbers of enslaved foreign prisoners, to work the fields, mills and mines of the countryside, and to provide an enormous range of domestic services for wealthy city-dwellers. Slaves did the hard labour, but they were also essential for all the things that made a rich Roman’s life comfortable. Most of the work we would classify as part of the ‘service industry’ or the ‘entertainment industry’ was done by slaves ...”

“... Aeschylus’​ Oresteia begins with the story of a grieving, righteously angry woman seeking justice for her daughter. The child was killed by her father, the woman’s husband, in order to enable a vast war. Each of the three plays is radically different in style, mood and action. But each centres on female anger and female grief at violent loss of life and the willingness of family members to kill one another ...”

“... So great was the Greeks’ concern with living too long – what Emily Wilson calls ‘overliving’– that they had a cautionary myth about it. The immortal rosy-fingered Eos, who is renewed each night by a therapeutic plunge into Okeanos, falls in love with the mortal Tithonos, abducts him, and bears him off to a life of everlasting love at the ends of the earth ...”

“... warns his correspondent to stay out of politics altogether. The new biographies by James Romm and Emily Wilson explore the tensions generated by Seneca’s life and legacy without resorting to the reductive choice between saint and hypocrite, Stoic idealist or stony practitioner of realpolitik. Romm admits that his mission to make a convincing single ...”

“... girls immediately or allow them one more gaudy night? He tells himself to swallow his anger. As Emily Wilson has it in her sprightly rendering:       ‘Be strong, my heart. You were hounded by worse the day the Cyclops ate your strong companions. But you kept your nerve, till cunning saved you from the cave; you thought that you would die ...”