Search Results

Advanced Search

1 to 5 of 5 results

Sort by:

Filter by:


Article Types



Judith Shklar, 9 October 1986

The Body in Pain 
by Elaine Scarry.
Oxford, 385 pp., £30, November 1985, 0 19 503601 8
Show More
Show More
... of Peters’s book is its bibliography, which is to be recommended particularly to anyone reading Elaine Scarry’s The Body in Pain, so that they can find out what Amnesty International and similar human rights organisations do and why their work is so important. For in spite of the ecstatic quotes on the blurb and the author’s own introduction to the ...

Not Rocket Science

Alexander Nehamas, 22 June 2000

On Beauty and Being Just 
by Elaine Scarry.
Princeton, 134 pp., $15.95, September 1999, 0 691 04875 4
Show More
Air Guitar: Essays on Art and Democracy 
by Dave Hickey.
Art Issues, 216 pp., £15.95, September 1998, 0 9637264 5 5
Show More
Show More
... to account for it. Why, once again, are we willing to acknowledge that beauty is worthy of love? Elaine Scarry answers this question by uniting beauty and morality. In the tradition of 19th-century aesthetics, On Beauty and Being Just describes, evokes and manifests the loving attention that beautiful objects provoke. It also argues that this attention ...

What’s the hook?

Helen Thaventhiran, 27 January 2022

Hooked: Art and Attachment 
by Rita Felski.
Chicago, 199 pp., £18, October 2020, 978 0 226 72963 3
Show More
Show More
... known for inspiring a famous poem. She also, as Felski fails to note, is primed by her reading of Elaine Scarry’s 1998 lecture ‘On Beauty and Being Wrong’: a source for Smith’s novel On Beauty. In the lecture, Scarry asked Smith’s question: how ‘did she hate something so completely and then love it so ...


Joanna Biggs: Zadie Smith, 1 December 2016

Swing Time 
by Zadie Smith.
Hamish Hamilton, 453 pp., £18.99, November 2016, 978 0 241 14415 2
Show More
Show More
... and Sheila Heti, and in Smith’s own essays. As the title On Beauty had been already used by Elaine Scarry, so Swing Time has been borrowed from the title of the 1936 Fred Astaire-Ginger Rogers vehicle, a black and white musical of waltzes and tap dances and a Fred and piano rendition of ‘The Way You Look Tonight’. The novel begins at its ...

If It Weren’t for Charlotte

Alice Spawls: The Brontës, 16 November 2017

... weak powers of imaginative projection. ‘It is not hard to imagine a ghost successfully,’ Elaine Scarry writes, ‘what is hard is successfully to imagine an object, any object, that does not look like a ghost.’ As Woolf pointed out, Charlotte’s ghosts seem more real than many real people.Although Poems by Currer, Ellis and Acton Bell only ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences