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Noticing and Not Noticing

John Mullan: Consciousness in Austen, 20 November 2014

The Hidden Jane Austen 
by John Wiltshire.
Cambridge, 195 pp., £17.99, April 2014, 978 1 107 64364 2
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... round. In their introduction to Emma in the Cambridge edition of the novels, Richard Cronin and Dorothy McMillan argue that Austen wrote for the rereader. In Emma she deliberately sacrificed ‘readability’ for the sake of a novel that ‘demanded repeated rereadings’. Wiltshire cites their argument that Emma, more than any other of her ...

In the Box

Dale Peck, 6 February 1997

How Stella Got Her Groove Back 
by Terry McMillan.
Viking, 368 pp., £16, September 1996, 0 670 86990 2
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Push 
by Sapphire.
Secker, 142 pp., £7.99, September 1996, 0 436 20291 3
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The Autobiography of My Mother 
by Jamaica Kincaid.
Vintage, 228 pp., £8.99, September 1996, 0 09 973841 4
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... here, as opposed to the word ‘writers’ because, while I’m sure Jamaica Kincaid, Terry McMillan and Sapphire could have a perfectly nice conversation, I’m equally sure that their books, if given their druthers, wouldn’t be caught dead on the same shelf. Depending on your point of view, the phenomenon of black women’s writing could be said to ...

Against the Same-Old Same-Old

Seamus Perry: The Brownings, 3 November 2016

The Brownings’ Correspondence, Vol 21 
edited by Philip Kelley, Scott Lewis, Joseph Phelan, Edward Hagan and Rhian Williams.
Wedgestone, 432 pp., $110, April 2014, 978 0 911459 38 8
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The Brownings’ Correspondence, Vol 22 
edited by Philip Kelley, Scott Lewis, Joseph Phelan, Edward Hagan and Rhian Williams.
Wedgestone, 430 pp., $110, June 2015, 978 0 911459 39 5
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Robert Browning 
edited by Richard Cronin and Dorothy McMillan.
Oxford, 904 pp., £95, December 2014, 978 0 19 959942 4
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Browning Studies: Being Select Papers by Members of the Browning Society 
edited by Edward Berdoe.
Routledge, 348 pp., £30, August 2015, 978 1 138 02488 5
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... Romanticism​ bequeathed a good many things to the beleaguered modern imagination, one of the most provoking of which was the thought that it should get out more. That bit of advice proved all the more challenging because it contradicted the other basic idea which the Romantics left behind – namely, that what mattered was staying inside, wrapped in the private world of subjectivity and ‘mental space ...

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