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“... in which the personal, the imaginative and the technical are intertwined. Garfield must take on Derek Jarman as artist as well as activist. The images of the Princess of Wales sitting with people with Aids, and an account of Neville Hodgkinson, the Sunday Times medical correspondent who has argued that HIV does not cause Aids, cannot be separated from ...”

“... rowans. The English oak isn’t English. Hollyhocks come from China, apples from Central Asia. Derek Jarman, who did much to free gardens from their cultural confinement, warned against those ‘bad children, spoiled by their parents, over-watered and covered with noxious chemicals’ (many now banned). His own garden was wild but meticulously ...”

“... Sontag called them in Aids and Its Metaphors: ‘the future ill’. The artist and film-maker Derek Jarman remembered his HIV diagnosis, in 1986: I thought: this is not true, then I realised the enormity. I had been pushed into yet another corner, this time for keeps … The perception that knowing you’re dying makes you feel more alive is an ...”

“... artistically frustrating. You can imagine a Queer British Art for which 1967 is a pivot towards Derek Jarman, Gilbert and George, Aids activism and beyond, or that dared to ditch even that narrative for more electric affinities between queer modernity and ...”

“... Little Sparta in the Pentland Hills, the garden Patrick Heron had in Cornwall and the garden Derek Jarman made on a shingle bank at Dungeness. Each makes different use of plants in landscape. Finlay’s intention was polemical and the exhibition includes a set of photographs of his garden, mounted in pairs like the pages of an open book. It is ...”

“... either.Her record company advised her not to perform live and instead commissioned a short film by Derek Jarman as a promo. John Peel played tracks from the album alongside Joy Division, which made sense to me. Broken English doesn’t cohere, but neither did Marianne Faithfull. She once described herself as ‘somebody who not only can’t even sing but ...”

“... chance of seeing Heathcote play the part of Prospero in a film version of The Tempest directed by Derek Jarman. ‘Isn’t that bit about me breaking my staff and drowning my book supposed to be rather important?’ he asked me. ‘Well, Derek said he had trouble fitting it into his conception of the play and I think ...”

“... Deeper’, Helphand finds himself in Dungeness, the eerie shingle spur on the Kent coast where Derek Jarman lived intermittently, in the shadow of a nuclear power station, for the last eight years of his life. Jarman’s famous post-industrial garden, which contains pastel blooms of old plastic, trellises of rufous ...”

“... half-heartedly, with talk of Coward’s ‘inverted emotional acrobatics’. He quotes the late Derek Jarman as saying that drug-taking in The Vortex was a synonym for homosexuality – ‘Noël Coward put his homosexuality in a little silver box and sniffed it.’ It is vastly more likely that Coward simply sat down to write a shocker about ...”

“... twenty pages. Elton John is represented by an account of the rent-boy allegations made in the Sun, Derek Jarman is dragged in to reminisce about swinging in San Francisco and NYC, and out of all the British bands to make their mark in the last four years (the Stereo MCs, Blur, Primal Scream, M-People and Oasis), the editors choose Suede, not, it ...”

“... the nearer one gets to production the bolder one gets. I hope it’s boldness anyway. 23 February. Derek Jarman has died. I liked his writing more than I did his films though I wish he had made the film which he once asked me to write, about his father, a Battle of Britain pilot who turned kleptomaniac in his old age. ...”

“... quite spelling things out. My own list would include Powell and Pressburger, Nic Roeg, Paul Nash, Derek Jarman, Anna Kavan, as well as under-celebrated British surrealist painters like Ithell Colquhoun and Emmy Bridgwater. This art revels in the threshold places, the hidden rivers and eerie copses of the British landscape.5 At first it may feel rather ...”

“... and feral children is something of a commonplace in post-punk English artworks, in the cinema of Derek Jarman and in the writing of Martin Amis to name just two examples. But thankfully Savage has not the patience for too much metaphor, and quickly hardens the imagery up. That space is a small, oddly-shaped shop at 430 King’s Road, at World’s End ...”

“... could see a moored cruise liner. Those with a rind of cultural memory will carry away images of Derek Jarman, who staged his punk apocalypse on this ground. Shrouded figures with flaming brands coming down to the dock: The Last of England. Jarman’s torch, carried out to sea in the morbid darkness, was a romantic ...”

“... death of Latin everywhere, except among tiny groups of scholars. When the British film director Derek Jarman was making his film Sebastiane, whose script is in Latin – part of the decadent thematic central to Jarman’s oeuvre – he was forced by the incompetence of some actors in Latin to abridge their lines. It ...”