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Leah Price: Anthologies, 3 February 2000

The Oxford Book of English Verse 
edited by Christopher Ricks.
Oxford, 690 pp., £25, October 1999, 0 19 214182 1
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The Norton Anthology of English Literature: Volume One 
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2974 pp., £22.50, December 1999, 0 393 97487 1
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The Norton Anthology of English Literature: Volume Two 
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2963 pp., £22.50, February 2000, 9780393974911
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The Longman Anthology of British Literature: Volume One 
edited by David Damrosch.
Longman, 2963 pp., $53, July 1999, 0 321 01173 2
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The Longman Anthology of British Literature: Volume Two 
edited by David Damrosch.
Longman, 2982 pp., $53, July 1999, 0 321 01174 0
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Night & Horses & The Desert: An Anthology of Classical Arabic Literature 
edited by Robert Irwin.
Allen Lane, 480 pp., £25, September 1999, 0 7139 9153 4
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News that Stays News: The 20th Century in Poems 
edited by Simon Rae.
Faber, 189 pp., £9.99, October 1999, 0 571 20060 5
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Time’s Tidings: Greeting the 21st Century 
by Carol Ann Duffy.
Anvil, 157 pp., £7.95, November 1999, 0 85646 313 2
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Scanning the Century: The Penguin Book of the 20th Century in Poetry 
edited by Peter Forbes.
Penguin, 640 pp., £12.99, February 1999, 9780140588996
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... littering the sofa tables of the Manchester bourgeosie. In the 1980s, the American poet David Antin charged that ‘anthologies are to poets as the zoo is to animals.’ More recently, Marjorie Perloff called for undergraduates to swear off Evian, in the hope that tap-water drinkers could afford unabridged books rather than hackneyed ...

Reading the Bible

John Barton, 5 May 1988

The Literary Guide to the Bible 
edited by Robert Alter and Frank Kermode.
Collins, 678 pp., £20, December 1987, 0 00 217439 1
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... critic, but brought to life by him as skilfully as is the even more unpromising Leviticus by David Damrosch. Damrosch begins: ‘Perhaps the greatest problem facing students of the Bible as literature is the fact that so much of the Bible is not literature at all’ – a thought which will occur to most of the ...

At least that was the idea

Thomas Keymer: Johnson and Boswell’s Club, 10 October 2019

The Club: Johnson, Boswell and the Friends who Shaped an Age 
by Leo Damrosch.
Yale, 488 pp., £20, April 2019, 978 0 300 21790 2
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... a value on titles,’ he purred, ‘and I go with the great stream of life.’ Another member was David Garrick, who grew up alongside Johnson in provincial Lichfield, and shot to prominence in his twenties for the revolutionary naturalism of his acting style, notably his startling performance as Richard III. Garrick was elected to the Club in 1773; the ...

Heroes

Pat Rogers, 6 November 1986

Hume and the Heroic Portrait: Studies in 18th-Century Imagery 
by Edgar Wind, edited by Jaynie Anderson.
Oxford, 139 pp., £29.50, May 1986, 0 19 817371 7
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Augustan Studies: Essays in honour of Irvin Ehrenpreis 
edited by Douglas Lane Patey and Timothy Keegan.
University of Delaware Press, 270 pp., £24.50, May 1986, 9780874132724
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The 18th Century: The Intellectual and Cultural Context of English Literature 1700-1789 
by James Sambrook.
Longman, 290 pp., £15.95, April 1986, 0 582 49306 4
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... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...

Every one values Mr Pope

James Winn, 16 December 1993

Alexander Pope: A Critical Edition 
edited by Pat Rogers.
Oxford, 706 pp., £11.95, July 1993, 0 19 281346 3
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Essays on Pope 
by Pat Rogers.
Cambridge, 273 pp., £30, September 1993, 0 521 41869 0
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... decision would appear to contradict the principles of the first, it is not entirely arbitrary. As David Foxon established in his wonderful study Pope and the Early 18th-Century Book Trade, Pope was fussy about the details of his texts, closely supervising and altering later editions and moving them away from the somewhat baroque typography in which his early ...

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