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“... in between about Britishness, heroism and the purpose of exploration. Now, another ten years on, David Crane has produced a huge new biography, five years in the researching, no document left unexamined, which aims to reassess the achievements and failures of Captain Scott. Crane wants to lose the underlying political ...”

“... And shall Trelawny die? It seems not, since David Crane’s book is the fourth life of him to have been published in the last sixty years. Yet it is an odd sort of immortality which leaves a man with someone else’s name in the title of his biography. It was Joseph Severn, the amiable artist whose kindness sweetened Keats’s last months, who referred to Trelawny as ‘Lord Byron’s jackal ...”

“... in Edinburgh) and Robin Robertson, or the Irishman John F. Deane, or now the American Patty Crane. They were drawn by the small vocabulary, the short sentences, the largely transferable word-order, the language that seems to pay twenty shillings to the pound – darkness, stone, light, tree, cold. You feel the poet trotting through the woods, jotting ...”

“... style bought off the peg at Harvey Nicks? In Fashion and Its Social Agendas, Diana Crane, who teaches sociology at the University of Pennsylvania, suggests that clothing is about the ‘social construction of identity’, and traces its economic, class and consumer implications in France, England and the United States over the past two ...”

“... near Penrith. It’s big, about 15 feet square, and it hangs high above the viewers, making them crane up as though at an impending cliff. It’s unfinished, and the quite large figure of a hillwalker recently brushed in at the head of the gully suggests that the painter would like to show people grappling with the mountains. The final painting in the Mind ...”

“... the reason novelists and short-story writers are often quite distinct breeds). The American writer David Means will have none of this. His highly original stories are coats that have been reversed to show their linings. Rather than lightly hint at an exquisite pattern or organising symbol, he likes to accentuate the pattern, to dash it in the reader’s ...”

“... would, it seems, have been the front’s major decorative element – a terracotta panel by Walter Crane showing Art attended by Labour, Time, History, Poesie, Truth and Beauty, was excluded – which explains the blank painted space between the two attached towers that frame the upper storey. (The design for Crane’s panel ...”

“... when they think the very worst. They are certainly lavish in their propitiations: it takes Marion Crane (Janet Leigh) 45 seconds to die in Psycho, but the scene required seventy different camera set-ups. Ceremony enough, surely. But Hitchcock knew that the gods who took the treasures away were not the kind to be propitiated. The best commentary on this aspect ...”

“... there. The two most familiar images of the men express the contrast eloquently. First, there is David’s brilliant portrait of Napoleon on his rearing charger in the Alps, seemingly master of the wind, rocks and sky; second, Chateaubriand’s acid description of Talleyrand hobbling into the presence of Louis XVIII with the help of Napoleon’s sinister ...”

“... Actors don’t lodge in the culture as once they did,’ David Thomson writes in the entry on Heath Ledger in the latest edition of his Biographical Dictionary of Film. ‘They are a type of celebrity now.’ He contrasts Ledger, who died three years ago at the age of 28, with James Dean, who died 55 years ago at the age of 24 and became the standard against which all young, handsome, would-be acting geniuses in Hollywood are measured ...”

“... be made use of in ways that are contextually effective, and surprisingly original. That is what David Piper contrived to do in a brilliant one-off war novel, Trial by Battle. It describes the experiences of a young officer, the reverse of professional, during the 1941 Malayan campaign between the British-Indian Army and the Japanese: the campaign which led ...”

“... from Illinois, described how the word would run down the auto assembly line that the overhead crane driver was about to ‘drop a car’, for the relief, the retaliation, the change ... So Kelman taps into the mainstream of working life: never to render it inertly, by way of naturalism, always to dramatise a phase or moment where character declares itself ...”

“... shove it into my own prose regardless of how tiresome that is. Take my last book, on the satirist David Sedaris. Not only do you get more Proust than you’d ever care for, you get an awful lot of Sedaris – pure, unadulterated Sedaris. It’s not that I’m lazy. Or rather, it’s not just that I’m lazy. I do much more in Sedaris than quote Sedaris, much ...”

“... South Africa through a European-style industrial revolution compressed into twenty years. David Goldblatt (b.1930) began taking photographs in the gold-mining areas in his teens. Many of them, and the ones that followed, tell the story of South Africa’s labouring classes, predominantly black, in a world shaped by race laws and extractive ...”

“... Norman Podhoretz). Queenie Leavis of course became an official widow, and it is les veuves on whom David Laskin relies most heavily in this relatively orderly account of sexual and matrimonial chaos. Diana Trilling outlived Lionel by many a book; Mary McCarthy enjoyed the same revenge on Edmund Wilson; the witches of Eastwick (lacking only their Hardwick) have ...”