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“... A batch of seven letters caused this book to be written: six love-letters and one letter home from a brother in the Army. They are the only remaining personal papers of a French-woman called Célestine Chaumette, and Gillian Tindall found them in an otherwise almost empty house in the village of Chassignolles in Central France, where she and her family have had a summer home for more than twenty years ...”

“... Rose Macaulay loved semantics and her most precious possession was her 12-volume Oxford English Dictionary: ‘my bible, my staff, my entertainer, my help in work and my recreation in leisure,’ she wrote to Victor and Ruth Gollancz in a rare display of feeling, after they had replaced the copy destroyed with the rest of Macaulay’s flat during the Blitz ...”

“... Fame came early to George Barker, but not so early as to take him by surprise. He designed his own ‘crypto-Renaissance catafalque’ at the age of 13, just to be on the safe side, and a year later was writing in these sophisticated terms of his own literary strengths and weaknesses: I am certain that my mind is made if anything for self-contained imaginative work: critical activity of any kind is alien to me, alien and dissonant ...”

“... In the Tate Gallery St Ives exhibition catalogue for 1995 there is a comical photograph of the painter Bryan Wynter and some friends at Zennor in themid-1950s. They are seated round a bottle-strewn table. Wynter is smiling absently, Karl Weschke is looking down at his hands or the tablecloth, a woman lies slumped in an armchair and a young man holds his head in an attitude of total weariness ...”

“... and relaxed into a lifelong partnership, explaining: ‘I lean more and more on her trousers.’ Claire Harman has written a bright and freshly-expressed biography, which is full of interesting data. Characteristically, she excavates the facts of Warner’s early life, but does not labour their sapphic significance. Nor did Sylvia Townsend ...”