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“... outbreak of war and the revisionist interpretation recently advanced by his Cambridge colleague Christopher Clark. (It is unfortunate that Evans decided to end a book so full of new and interesting material with Sir Edward Grey’s familiar lament on 3 August 1914 that Europe’s lamps were being extinguished – a darkness for which Grey himself was ...”

“... is a case in point. Herbert Butterfield slew it in 1931, and here come John Pocock and Jonathan Clark to slay it again. There is next to nothing in common between them, save their opposition to the Whig Interpretation and its offspring: but it is that opposition which provides both of them with the structure of their argument and the dramatic purpose of ...”

“... blunders of the German elite’ can’t be made to shoulder all the blame. In The Sleepwalkers, Christopher Clark deploys on a grander scale and over a much longer timeframe essentially the same argument.* ‘The protagonists of 1914,’ he writes at the end, ‘were sleepwalkers, watchful but unseeing, haunted by dreams, yet blind to the reality of ...”

“... anyone seeking to divine the underlying logic of Johnson’s apparently chaotic administration (Christopher Clark writes about Cummings’s blog and his obsession with Bismarck on p.21). There is a guilty frisson in the idea of a lawless nihilist pulling all the strings, but to grasp the danger Cummings poses, one has to start by recognising how ...”

“... No Australian poet before Christopher Brennan was fully conscious of the artistic problem posed by isolation from Europe, and no Australian poet since has been fully disabled by it. Brennan’s life and death dramatised the problem once and for all. It was and is a true problem, not just a difficulty. Brennan, whether he wanted to or not, lived the problem to the full, and thereby, on everybody else’s behalf, got it out into the open ...”

“... I knew Kenneth Clark by sight some time before he spoke to me. It was in the late Fifties, I think, at the press view of an exhibition of 20th-century English painting, that words were exchanged. We must have got there very early, because no one else was in the gallery. I was standing in front of a big Pasmore and Clark was coming to look at it ...”

“... to ‘a’? Quoting the same sentence in his preface to the full set of new translations, Christopher Prendergast writes: ‘all paradises are lost paradises.’ This is impeccably aphoristic, and assumes that false paradises are just not paradises at all. Proust himself could be more accommodating, and at one point implies that almost anything may be ...”

“... Ezra Pound’s Cantos, ‘you will have to go a long way round/if you want to avoid them.’ T.J. Clark is an Alpinist of distinction: Courbet, Manet, Pollock, Poussin, no foothills, no detours (apart from Lowry). And now Picasso. There are the Alps. ‘They don’t make sense,’ Bunting claimed. But Pound made sense. Some people still understand him. The ...”

“... It was the patrician Alan Clark who most accurately summed up the approach of the British and American Governments to the 1980-88 Iran-Iraq war. Nothing, he reckoned, was better for business than a lot of foreigners killing one another. This has been true of all foreign wars throughout the ages, but for businessmen of the Clark mentality a hot war in the Eighties which demanded endless supplies of expensive weaponry and technology was almost too good to be true ...”

“... Ossie Clark, for those who never hankered after his confections in the late Sixties and early Seventies, was a dress designer. His designs are in museums of fashion quite as legitimately as a gold necklace from ancient Egypt is displayed in the British Museum, or the uniform of the Light Brigade is illustrated in the Imperial War Museum ...”

“... to share with the Executive political control over the Agency’s operations, and passing the Clark Amendment which forbade clandestine support for movements such as Unita, the Union for the Total National Independence of Angola. In less than a decade, but especially in the last four years, the pendulum has swung more sharply in the opposite direction ...”

“... a New Oxford History of England? The old one, got off the ground with great promptitude by G.N. Clark in the Thirties, held up by the war, and finished with A.J.P. Taylor’s extra volume on 1914-45, does not much ring in the mind, except for its first two volumes (Collingwood and Myres, and Stenton) and Taylor’s. I doubt if the new one will fare any ...”

“... rear of the New Central Hotel in Blackpool. The police identified the body as that of 17-year-old Christopher Hartley. A minute or two went by before you began to wonder how they’d managed it. Presumably from fingerprints: police sources indicated that Christopher had a criminal record, though they didn’t want to make ...”

“... statesmen, like others, did not know what they were doing.’ Something similar is argued by Christopher Clark in The Sleepwalkers, a book whose title says it all. I don’t think this is just an academic spat, a Historikerstreit, with little application to modern political debate. On the contrary, I think it has had a damaging knock-on effect on ...”

“... Christopher Middleton​ hated New York. Among the things he particularly disliked, I suspect, is New York’s position as a cultural bazaar, where reputations are bought, sold and traded, with the attendant buzz of speculation. He was incapable of schmoozing, and his career suffered accordingly. New York’s greatest draw, people action and brute energy, would have been lost on him ...”