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“... Christine Brooke-Rose, being in her eighties and suffering many intractable illnesses and disabilities, recognises that her life must be near its end. Since her retirement from the University of Paris (Vincennes) she has lived alone in a village near Avignon. Being well acquainted with illness, she has offered as her main reason for choosing to spend her old age in France the conviction that the French health services are far superior to the British, an opinion she has not had occasion to revise ...”

“... him in her introduction as an urbane, amusing character. This new translation by Gina Greco and Christine Rose is the first to appear in English of the whole text. The editors have spent years on their translation, tracking down the names of animals, foods, plants, agricultural implements, kitchen gadgets and medicines, and have judged the register ...”

“... Christine Brooke-Rose’s story of how this new book came to be is that she set out to write about her life, and instead produced a kind of antibiography. It’s described in the jacket’s blurb by Carcanet as ‘an autobiographical novel with a difference’ which ‘uses life material to compose a third-person fiction ...”

“... If Christine Brooke-Rose had stayed in Oxford, instead of migrating to France, she might have been rather like Helen Gardner. Her new book is written with a crispness and a briskness which at once evokes a certain atmosphere: a highly intelligent unresponsiveness to theory, a fear of subjectivity (she even recalls, with obvious relish, her Oxford tutor’s phrase for mere criticism, ‘personal effusions ...”

“... Nervousness and nostalgia mark these three novels. The nostalgia of Christine Brooke-Rose is, surprisingly, for a golden age of character in fiction; David Caute harks back to the Sixties and the heyday of radical hopes; John Fuller conjures a world in which stories can still enchant ...”

“... A familiar notion is particularly well-expressed in Salman Rushdie’s novel Shame. The notion is that of history as itself a fiction; the expression is varied. ‘All stories,’ he says as intruding author, ‘are haunted by the ghosts of the stories they might have been.’ And elsewhere:   As for me: I too, like all migrants, am a fantasist. I build imaginary countries and try to impose them on the ones that exist ...”

“... In her recent collection Stories, Theories and Things, Christine Brooke-Rose was casting around for a generic term under which to classify such diverse novels as Midnight’s Children, Terra Nostra and Dictionary of the Khazars, and came up with ‘palimpsest history’. What all of these books have in common is their interest in the recreation of a national history: a history which, in each case, has been erased or fragmented, subsumed beneath layers of interpretation, forgetting, writing and rewriting ...”

“... they meant it, as though they meant it to matter ... Samuel Beckett (of course), John Berger, Christine Brooke-Rose, Brigid Brophy, Anthony Burgess, Alan Burns, Angela Carter, Eva Figes, Giles Gordon, Wilson Harris, Rayner Heppenstall, even hasty, muddled Robert Nye, Ann Quin, Penelope Shuttle, Alan Sillitoe (for his ...”

“... enormously powerful competition; and if she can’t make it, there seems little hope for such as Christine Brooke-Rose or Alan Burns. There are at least two reasons why adventure is not to be expected. The first is the lack of books to be adventurous about. The big mind-stretching, patience-trying, world-beating novels are ...”

“... use intention to emend a misprint. Yet I don’t believe that when Fish refers to Christina Brooke Rose, he is referring to a hitherto-neglected near-namesake of Christine Brooke-Rose, or somehow subtly intimating something about Christine Brooke-...”

“... Khouri, who’s Lebanese, are notably difficult and one would have to turn to, say, the novels of Christine Brooke-Rose to find similarly taxing British works of fiction. Mahfouz is almost unique in reaching a broad reading public (as well as being widely available in English). Though Jayyusi admires his achievement, she ...”

“... party in Paris during the German occupation’ (Resistance party?), he became the lover of Christine, a young black woman who would end up a follower of Malcolm X. Monroe, it turned out, was the only white star who had ever interested Christine. In fact she identified with her: ‘She’s been hurt. She knows the ...”

“... two women who are the subject of Ruth Butler’s new book – Hortense Fiquet (Paul Cézanne) and Rose Beuret (Auguste Rodin) – Doncieux was first the artist’s mistress and later his wife. Hiring a model cost a minimum of one franc an hour; painting the woman who already shared your bed was clearly the cheaper alternative. Though both Monet and Cézanne ...”

“... relate individual experience to statistical indicators. Such an opportunity was available to June Rose, and unfortunately she has missed it. There has been a need for a new study of Marie Stopes for some time, one which could relate the by now familiar personal biography to her professional work for the Society for Constructive Birth Control. In the Stopes ...”

“... Djuna Barnes and Joyce, say, through Henry Green and Beckett and Robbe-Grillet to Burroughs and Christine Brooke-Rose. The dust jacket flaps of novels published by Calder and Boyars between 1966 and 1972 list their books under the varying heads of ‘Contemporary Fiction’, ‘Fiction’, ‘Modern ...”