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“... cats and dogs for you. On the other hand, you can choose not to have a cat or dog, whereas, says Carol Delaney, Genesis we’re lumbered with, deep in our psyche and social structure. Therefore we need ‘a new moral vision, a new myth to live by’. (This is to accept that we are helpless victims rather than interpreters of myth, and that our ...”

“... implicating themselves ‘in a system that conceals, derides and silences them’. Similarly, when Carol Delaney, author of ‘Untangling the Meanings of Hair in Turkish Society’, describes the braiding ritual that a Turkish bride must undergo before getting married, she portrays it as a lugubrious ‘ordeal’ far the bride, an event symbolising the ...”

“... shots. Then we’re introduced to the three leading characters, Rube (Geraldine Sherman), Sylvie (Carol White) and Eileen (Vickery Turner), by means of a pan down from a sign for Clapham Junction station which fits them exactly to a place and time. The play’s loose, episodic structure allows for improvisation. What Loach was to call a ‘go-in-and-grab-it ...”

“... up as one went along.’ He invented two role models for himself. One was the painter Beauford Delaney, whom he first visited in his studio in Greenwich Village when he was 16 and still a child preacher. ‘Beauford was the first walking, living proof, for me, that a black man could be an artist.’ Four years later, Baldwin met Richard Wright, who was 16 ...”