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“... mainly of a broadly chronological account of Michelangelo’s career written by the organiser, Carmen Bambach, centred on his drawings and especially on those on display. The chronological structure is also followed in the exhibition itself, except that the drawings associated with the ceiling of the Sistine Chapel are shown out of sequence, beneath a ...”

“... also present formidable problems of dating, attribution and purpose, which are at the heart of Carmen Bambach’s massive and extraordinarily impressive scrutiny. For years she has devoted herself to the first-hand study of the drawings and the ways in which they reflect Leonardo’s preoccupations, especially as expressed in his notebooks. The book ...”