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Editor’s Story

Peter Campbell, 18 November 1982

Of This Our Time 
by Tom Hopkinson.
Hutchinson, 317 pp., £8.95, April 1982, 9780091478605
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... were political. The issue which led to the final break was the story James Cameron and Bert Hardy brought back from Korea about the treatment of prisoners in the South. Hulton would not publish it. Picture Post was a model for a new kind of pictorial journalism. Television documentary and news programmes, where many of the journalists ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... it seemed, was so distant, hidden or commonplace that its appearance would be unrecorded for long. Bert Hardy, who was present at the D-Day landings and helped uncover atrocities in Korea, also took pictures of street life at the Elephant and Castle. There is, of course, another history to be told, one that follows changes in the style of prints and ...

What did they do in the war?

Angus Calder, 20 June 1985

Firing Line 
by Richard Holmes.
Cape, 436 pp., £12.95, March 1985, 0 224 02043 9
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The Right of the Line: The Royal Air Force in the European War 1939-1945 
by John Terraine.
Hodder, 841 pp., £14.95, March 1985, 0 340 26644 9
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The Bomber Command War Diaries: An Operational Reference Book 
by Martin Middlebrook and Chris Everitt.
Viking, 804 pp., £25, May 1985, 0 670 80137 2
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’45: The Final Drive from the Rhine to the Baltic 
by Charles Whiting.
Century, 192 pp., £7.95, March 1985, 0 7126 0812 5
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In the Ruins of the Reich 
by Douglas Botting.
Allen and Unwin, 248 pp., £9.95, May 1985, 9780049430365
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1945: The World We Fought For 
by Robert Kee.
Hamish Hamilton, 371 pp., £12.95, May 1985, 0 241 11531 0
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VE Day: Victory in Europe 1945 
by Robin Cross.
Sidgwick, 223 pp., £12.95, May 1985, 0 283 99220 4
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One Family’s War 
edited by Patrick Mayhew.
Hutchinson, 237 pp., £10.95, May 1985, 0 7126 0812 5
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Poems of the Second World War: The Oasis Selection 
edited by Victor Selwyn.
Dent, 386 pp., £12, May 1985, 0 460 10432 2
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My Life 
by Bert Hardy.
Gordon Fraser, 192 pp., £14.95, March 1985, 0 86092 083 6
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Victory in Europe: D Day to VE Day 
by Max Hastings and George Stevens.
Weidenfeld, 192 pp., £10.95, April 1985, 0 297 78650 4
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... well-illustrated, but it’s his over-the-top text which gives the photographs significance. Bert Hardy, whose photographs had adorned so many ‘documentary’ features in Picture Post, was serving in the Army Film and Photographic Unit as the war howled and shrieked to its close. He believes that the photographs from Belsen which he reproduces in ...

South Yorkshire Republic

Beatrix Campbell, 4 June 1987

Forever England 
by Beryl Bainbridge.
Duckworth/BBC, 174 pp., £9.95, April 1987, 0 563 20466 4
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Nottinghamshire 
by Alan Sillitoe.
Grafton, 170 pp., £14.95, March 1987, 0 246 12852 6
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Left behind: Journeys into British Politics 
by David Selbourne.
Cape, 174 pp., £10.95, February 1987, 0 224 02370 5
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... ingenuity of survivors at earlier moments of political transition. That is why the photographs of Bert Hardy, the artist of Britain in war and uneasy peace, will endure long after some of his grittier successors are forgotten. He gives his subjects back their humanity. He shares with us more than their suffering – he reveals their self-respect. It is a ...

Making It Up

Raphael Samuel, 4 July 1996

Raymond Williams 
by Fred Inglis.
Routledge, 333 pp., £19.99, October 1995, 0 415 08960 3
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... during their courting days – the kind of loving picture which would not look out of place in a Bert Hardy gallery of war-time romance. Inglis’s caption? ‘Raymond had wiped off Joy’s lipstick, of which he disapproved.’ The show of authorial omniscience conceals from the reader (and possibly the author) the fact that this biography is, by ...

Dreams of the Decades

Liz Jobey: Bill Brandt, 8 July 2004

Bill Brandt: A Life 
by Paul Delany.
Cape, 336 pp., £35, March 2004, 0 224 05280 2
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Bill Brandt: A Centenary Retrospective 
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... Britain was published in 1951 to coincide with the Festival of Britain. Brandt travelled from Hardy’s Wessex to Dr Johnson’s Skye; from Coleridge’s Keswick to George Crabbe’s Aldeburgh; from Blake’s cottage at Felpham to Emily Brontë’s Haworth (David Hockney raised objections when he discovered that for this picture Brandt had spliced ...

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