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“... practices were fully consistent with period attitudes toward contemporary art. Eighteenth-century Paris possessed the most advanced and self-conscious audience for art in Europe, yet genuine enthusiasts and serious patrons remained exceptional. Reading through the cultural press of the time or in the journals of prominent society figures, one encounters a ...”

“... was imprisoned for most of 1794 at the Maison Coignard, a former convent in Picpus in eastern Paris, where Donatien-Alphonse-François, ci-devant marquis de Sade, was also being held. Despite their noble backgrounds and royal connections, both men had supported the revolution from the start. They had both served the republic – Sade in the municipal ...”

“... a former tennis professional of minor distinction, a TV actor recently sacked from his part as Dr Barry Catchpole in Sun Valley General, a man slithering down the ladder of celebrity into alcoholism, divorce and the humiliations of the ‘glamour industry’. In Paris, the playwright László Lázár gives a dinner ...”

“... and died a few years later. Peter Orlovsky and Allen Ginsberg at the Hotel de Londres, Paris in 1957. Bob Thompson, ‘LeRoi Jones and his Family’ (1964) Brion Gysin, ‘Calligraphy’ (1960) Brion Gysin, William S. Burroughs, Untitled (Primrose Path, the Third Mind, p.12, 1965) Ettore Sottsass, ‘Neal Cassady, Los ...”

“... with him after the royalist defeat at the battle of Worcester. The two men escaped together to Paris, where the grateful monarch made Henry earl of Rochester, a title that descended to his son when he was ten. Two years later, John was entered as a student at Wadham College, Oxford, and as an aristocrat was allowed to mix with the dons in their common ...”

“... on Rodeo Drive. I was approached to direct a Mafia film called Donnie Brasco. The producers were Barry Levinson and his partner, Mark Johnson. We had first met when Levinson, Alan Parker and I had dinner in London. It was a wonderfully smug affair: the last three films we had directed, Rain Man, Mississippi Burning and Dangerous Liaisons, had between them ...”

“... disastrous consequences of the Austrian alliance he had helped to cement, negotiated the Treaty of Paris and finally lost power to his rivals in 1770. The interest of one royal mistress, Madame Du Barry, was involved in his fall, as that of another, the Pompadour, had been instrumental in his rise. He died in 1785. His ...”

“... A companion from the gaming tables, the French regent Philippe d’Orléans, brought him to Paris in 1715 to reform France’s perennially disastrous finances. Law quickly became the second most important man in the country, and cobbled together a reform scheme that had all the solidity and common sense of an Icelandic hedge fund prospectus; it ...”

“... Peter Brook describes Threads of Time as ‘a relatively full answer’ to the question ‘Why Paris?’ It is the first of his books not to have started out in another form. The Empty Space (1968) was based on lectures; The Shifting Point (1988) consists of articles, interviews, speeches, programme notes and other occasional writings drawn from his whole ...”

“... on an entirely different type of picture, Nemo, a fantasy being shot in a huge inflatable dome in Paris. As Philip French notes in a foreword to the diary, Boorman has made it his business to offer arm’s-length help on the set to young film-makers – the novelist Neil Jordan was a protégé – and to foster the film industry in Ireland, where he now makes ...”

“... and not only provided Negri with her greatest triumph but defined her predicament. Negri plays du Barry with all the hauteur a small 22-year-old Pole can muster. She’s beautiful but not bothered whether we find her beautiful. She fascinates the viewer; it’s a pleasure simply to watch emotions passing across her face, to see someone so well equipped for ...”

“... lesbian relationships as part of its dance of shifting sexual liaisons in the public rooms of a Paris hotel; Song at Twilight (1965) is about a writer confronted by his homosexual past. But Semi-Monde was not performed in Coward’s lifetime (and is published for the first time in Collected Plays: Six) and Song at Twilight was premiered in the dying days of ...”

“... her febrile pursuit of an ideal relationship in adulthood. Her mother eventually left Nohant for Paris, vaguely promising to set up a business to support them both there. Before she left, the child Aurore left a letter for her mother hidden behind a picture, and when she had gone went to look for an answer: I ran into her room and fell upon her unmade ...”

“... memoirs, written not long before his execution. The archives of the STN, together with the Paris police records, tell a different story. They show us not so much the pure and persecuted apostle of Enlightenment as a man deeply engaged in the shady dealings of the literary underworld. In particular, Brissot was driven by poverty, a spell in the Bastille ...”

“... infamous prison, from which no one had ever come out alive. Kaman Diaby, Kéita Fodéba, Barry Alpha Oumar, Ansoumane Traoré, Diallo Telli, and countless others had been killed here ... It was said that the guards had been demonic and perverted, happy to torture men whose wealth and position they envied. The guards of Camp Boiro had hated to see ...”