At the Royal Academy
Peter Campbell: How to Draw Horses, 9 October 2003
“... when it came to making a living. It could also push a painter into becoming a bored specialist. If Atkinson Grimshaw hadn’t found that it was the moonlight scenes over water which sold best, he surely wouldn’t have stuck to them – there are 14 of them here. Sargent got bored with portraits, but had made enough money to free himself of the burden of ... ”