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Diary

Anthony Grafton: Warburg, 1 April 1999

... We have been in Hamburg for four months now, living above the shop – in the attic of the Warburg-Haus, where I am the visiting professor for Wintersemester 1998-99. This is the original home of what is now the Warburg Institute in London, the interdisciplinary centre for research in the history of the classical tradition created early this century by the brilliant, haunted cultural historian Aby Warburg ...

Frets and Knots

Anthony Grafton, 4 November 1993

A History of Cambridge University Press. Vol. I: Printing and the Book Trade in Cambridge, 1534-1698 
by David McKitterick.
Cambridge, 500 pp., £65, October 1992, 0 521 30801 1
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... editors described by McKitterick rivals the severity shown at Oxford by John Fell, who rewrote Anthony Wood’s history of Oxford, studding it with insults directed at Thomas Hobbes.) Like us, they received proofs disfigured by monstrous errors, not all of which they succeeded in removing from the final books. And like us, they often had the chance to ...

What if it breaks?

Anthony Grafton: Renovating Rome, 5 December 2019

Engineering the Eternal City: Infrastructure, Topography and the Culture of Knowledge in Late 16th-Century Rome 
by Pamela Long.
Chicago, 369 pp., £34, November 2018, 978 0 226 59128 5
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... efforts to suppress the city’s courtesans had failed completely. The playwright and pamphleteer Anthony Munday, who visited Rome in 1579, dismissed the relics as ‘rotten bones, which they make the people credite to be the bones of Saintes’. Even the invitation to watch a Jesuit flagellate himself, and then to imitate him, left Munday unexcited. When the ...

Fake it till you make it

Anthony Grafton: Indexing, 23 September 2021

Index, A History of the 
by Dennis Duncan.
Allen Lane, 352 pp., £20, September, 978 0 241 37423 8
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... Indexes are​ trouble. If you index your own work, you have to chew your cabbage twice, and then again, and again. You must reread the text that seemed so cogent when you sent it to the publisher – not to mention when you revised it, following the advice of your editor and referees, and when you answered the copy editor’s queries, and when you read the proofs ...

Invented Antiquities

Anthony Grafton, 27 July 2017

Baroque Antiquity: Archaeological Imagination in Early Modern Europe 
by Victor Plahte Tschudi.
Cambridge, 320 pp., £64.99, September 2016, 978 1 107 14986 1
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... In​ 1661 Athanasius Kircher SJ made an archaeological discovery. He had gone to Tivoli, a town of villas and baths east of Rome, to restore his health and gather material for a book on the topography and history of the Lazio region. He was nearly sixty. Walking in the hills with a friend, he found a ruined church on a mountain. As he explored the ruin, he came upon a marble tablet with the inscription: ‘This is the holy place where St Eustachius was converted to Christianity ...

From Norwich to Naples

Anthony Grafton, 28 April 1994

The Civilisation of Europe in the Renaissance 
by John Hale.
HarperCollins, 648 pp., £25, November 1993, 0 00 215339 4
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... On the sprawling, minutely detailed historical paintings of the contemporary German artist Werner Tübke, preachers and prostitutes, humanists and soldiers, animated zodiacal signs and Popes tortured by devils tumble, gallop and fly past the onlooker. The flamboyantly dressed soldiers, needle-sharp lances, Hills of Golgotha and Towers of Babel that fill his works are carefully reproduced from dozens of well-known Renaissance paintings ...

Born to Network

Anthony Grafton, 22 August 1996

The Fortunes of ‘The Courtier’: The European Reception of Castiglione’s ‘Cortegiano’ 
by Peter Burke.
Polity, 209 pp., £39.50, October 1995, 0 7456 1150 8
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... Anyone who teaches the High Renaissance in an American university knows how distant it has become. On first contemplating the nudes that fascinated tourists and connoisseurs for centuries, students shrug. Machiavelli and Guicciardini prove equally unexciting to young men and women who were born in the shadow of Watergate and are bored every night by the eleven o’clock news of Whitewater ...

Liquor on Sundays

Anthony Grafton: The Week that Was, 17 November 2022

The Week: A History of the Unnatural Rhythms that Made Us Who We Are 
by David M. Henkin.
Yale, 264 pp., £20, January, 978 0 300 25732 8
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... In​ 1930, Edmund Wilson went on the road for the New Republic. He covered striking textile workers in Massachusetts, militant miners in West Virginia and suicides in industrial cities. His pieces concerned social conflict and ruined lives, but Wilson had a deep interest in the new industrial world that was still taking shape. His informants made clear to him that time itself took a new form in America’s satanic mills ...

Thank you for your letter

Anthony Grafton: Latin, 1 November 2001

Latin, or the Empire of a Sign: From the 16th to the 20th Centuries 
by Françoise Waquet, translated by John Howe.
Verso, 346 pp., £20, July 2001, 1 85984 615 7
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... Every spring at my university’s Convocation, an undergraduate addresses the assembled students, parents and faculty in Latin. Parents receive a plain copy of the text, which few of them can read. Most of the students can’t read it either. But they receive a different, annotated version. Footnotes, always written in Latin – ‘hic ridete’; ‘hic plaudite’ – identify in-jokes and references to local and national events ...

Time Lords

Anthony Grafton: In the Catacombs, 31 July 2014

Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs 
by Paul Koudounaris.
Thames and Hudson, 189 pp., £18.95, September 2013, 978 0 500 25195 9
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... On​ 31 May 1578, vineyard workers on the Via Salaria in Rome found a tunnel which led them to an early Christian burial site. They had opened the catacombs: the vast network of passages cut through the volcanic tuff outside Rome in which thousands of Christians, as well as Jews and pagans, were buried. The vineyard workers were not the first to spelunk in these artificial caves ...

Those Limbs We Admire

Anthony Grafton: Himmler’s Tacitus, 14 July 2011

A Most Dangerous Book: Tacitus’ ‘Germania’ from the Roman Empire to the Third Reich 
by Christopher Krebs.
Norton, 303 pp., £18.99, June 2011, 978 0 393 06265 6
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... Giambattista Vico knew that history began with the giants: the primitive men and women who lived after the universal Flood, and invented myth and poetry. More important, he knew why they had become so immense. The Jews, God’s holy people, had kept themselves cleanly, in accordance with divine commands, and had achieved only ordinary stature. But non-Jewish babies had played with their own urine and faeces ...

Signs of spring

Anthony Grafton, 10 June 1993

The Portrayal of Love: Botticelli’s ‘Primavera’ and Humanist Culture at the Time of Lorenzo the Magnificent 
by Charles Dempsey.
Princeton, 173 pp., £35, December 1992, 0 691 03207 6
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... Exactly a hundred years ago, Aby Warburg took a short walk on what proved to be a long pier. In his doctoral dissertation on Sandro Botticelli’s Birth of Venus and Spring, he used fewer than fifty packed pages to analyse the two paintings. He treated them as a set because Vasari had seen them both at Duke Cosimo’s villa, Castello, and described them together ...

Botticelli and the Built-in Bed

Anthony Grafton: The Italian Renaissance, 2 April 1998

Behind the Picture: Art and Evidence in Italian Renaissance 
by Martin Kemp.
Yale, 304 pp., £25, November 1997, 0 300 07195 7
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... The 17th-century antiquary John Selden spent his life deciphering Greek inscriptions and interpreting Near Eastern myths. No scholar of his time had more experience with the historical study of material remains; no one knew better how easily a modern intellectual can read too much into an ancient object. As he remarked one day, ‘It was an excellent question of my lady Cotton, when Sir Robert Cotton was magnifying of a shoe, which was Mose’s or Noah’s, and wondering at the strange shape and fashion of it: But Mr Cotton, says she, are you sure it is a shoe?’ The 20th-century art historian Martin Kemp has spent his life reconstructing the techniques with which Italian Renaissance artists analysed and represented the natural world: the science of art, as he once called it ...

Walkers in the Ruined City

Anthony Grafton: History in Ruins, 6 May 2021

The Ruins Lesson: Meaning and Material in Western Culture 
by Susan Stewart.
Chicago, 378 pp., £23, June, 978 0 226 79220 0
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The Eternal City: A History of Rome in Maps 
by Jessica Maier.
Chicago, 199 pp., £25, October 2020, 978 0 226 59145 2
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... Piranesi’s ‘Plan of Rome’ (1756) The​ life of a Renaissance antiquarian was far from simple. In April 1436, when Cyriac of Ancona arrived in Athens, he was thrilled by his first sight of the Parthenon, the ‘marvellous marble temple of the goddess Pallas, the divine work of Phidias’. He counted its columns, admired its friezes and commented on the artistry with which Phidias had represented the battle of the Centaurs and Lapiths ...

Locum, Lacum, Lucum

Anthony Grafton: The Emperor of Things, 13 September 2018

Pietro Bembo and the Intellectual Pleasures of a Renaissance Writer and Art Collector 
by Susan Nalezyty.
Yale, 277 pp., £50, May 2017, 978 0 300 21919 7
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Pietro Bembo on Etna: The Ascent of a Venetian Humanist 
by Gareth Williams.
Oxford, 440 pp., £46.49, August 2017, 978 0 19 027229 6
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... In​ 1496 Pietro Bembo, a young Venetian scholar, published a short book on a long walk he had taken with a friend. Their hike led them from Messina, where the two of them had been studying Greek with Constantine Lascaris, to the top of Mount Etna. No one had seen a book like De Aetna. Mountains, though some curious thinkers had climbed them, were usually seen as fearsome and inhuman ...

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