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7 July 2005
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“... had finished the scripts. Third, as a result of its plural structure, the department had gained and kept its reputation as a producer-led, oppositional space, not just for Edge of Darkness, but for AlanBleasdale’s Boys from the Blackstuff (1981), Dennis Potter’s sexually provocative and formally challenging Singing Detective (1986) and Richard Eyre’s film of Charles Wood’s anti-Falklands ...”