“... Landor from Lyttelton; nor really about Ibsen either, though Lyttelton is prepared to like Henry James (more when older than as a young man), and wholly accepts the poetry of Hart-Davis’s personal friend, Edmund Blunden. Hart-Davis thinks Maugham ‘the most over-praised GOM since Bridges’, but, while not denying Lyttelton’s suspicion that Maugham was ...”

“... and obliged to accept whatever terms his employer thinks fit to impose’. Similarly, the engineer William Fairbairn saw that the division of labour in the factory meant that ‘the designing and direction of the work passed away from the hands of the workman into those of the master and his office assistants.’ Berg moves adroitly between the formal ...”

“... pale Hawksmoor is an inhabitant of the present day who reminds one not only of Dyer but of P.D. James’s recurrent character Inspector Dalgliesh – one of her novels, A Taste for Death, published the following year, has a church murder in London, draped in the poses of this sensitive, cultivated policeman, and it also has, like Hawksmoor, a suspected ...”

“... from 1951, features Margaret Lockwood (best known for playing feisty period heroines opposite James Mason, who himself did Desert Island Discs in 1961 and 1981) sounding as if she’s narrating a public information film: the Eton boating song ‘conjures up for me a very pleasant English scene’.When the BBC switched to recording on tape, which could be ...”

“... The problem is not that Babel Tower or A Whistling Woman ‘smells of the lamp’, as Henry James famously complained of Eliot’s historical scholarship in Romola, but that the proliferation of vocabularies and allusions – not to mention the sheer number of characters, many of them introduced in previous volumes – sometimes threatens to bury the ...”

“... villagers called her a moll heron, ‘all legs and wings’. Later, having read Freud and Henry James, she hinted at a ‘restricted’ upbringing, but she found refuge in her surroundings as well as her books. Lark Rise has some excellent descriptions of the Oxfordshire countryside, interrupted from time to time by the voice of young ...”

“... instead to a new ideal – one that would consume his fortune and destroy his reputation. James Clerk Maxwell’s four field equations, published in 1865, had unified electricity, magnetism and optics, and predicted the existence of electromagnetic waves moving through space at the speed of light. In 1886-87 the German physicist Heinrich Hertz ...”

“... shifting sensibilities. His verbal brocade and fairy-tale diction were always an acquired taste; James Dickey called him ‘one of the most unpityingly pretentious poets I have ever come across’. But these days the kind of poetry he wrote – extravagant in ambition, mantic in mood, unironic in the extreme – is about as popular as trade unions and Cuban ...”

“... 1940s – may begin by telling you the names of ‘the great English novelists’ (Austen, Eliot, James, Conrad), but the opening chapter then takes us through the failings of those who came before them. Defoe ‘matters little as an influence’. Fielding existed to make Austen possible, but if you feel her ‘distinction’ you will also feel that ‘life ...”

“... Before he became an outspoken liberal in the 1960s, he was a protégé of the arch-conservative William Buckley Jr. And, as Wills mentions, Buckley himself had been a disciple of James Burnham. Buckley and Burnham were two of the influential intellectuals who fanned the flames of anti-Communism in the 1950s from outside ...”

“... book?’). Chris tries her best with Charlotte Stant and Maggie Verver, but chirruping about Henry James novels isn’t really what she’s all about. ‘The Dumb Cunt’ is more her style, ‘a factory of emotions’; her passion has sent her back into adolescence, ‘hunched up in a leather jacket’, listening to the Ramones. She’s creeped out ...”

“... Stead seems to have been misremembering or paraphrasing a line of Virginia Woolf’s about Henry James) grew out of D.T. Max’s post-mortem profile of Wallace for the New Yorker, and is very much the version of his life as seen from Times Square. ‘Every story has a beginning and this is David Wallace’s’ is Max’s first sentence. It’s a funny way to ...”

“... There was a strong documentary element in much late Modernist American writing, and epics such as William Carlos Williams’s Paterson or Charles Olson’s Maximus Poems (set in Gloucester, Massachusetts) are in essence enormous collages that attempt to capture the spirit of a place by combining memoirs, histories, town records, overheard scraps of ...”

“... Aguirre, Wrath of God (1972), which in its imagining of extremity is not as far from Eliot and Sir James Frazer as you might think. Eliot’s ‘The Hollow Men’ has an epigraph from Conrad (‘Mistah Kurtz – he dead’) and in the film Kurtz, not yet dead, reads from the poem. In the uncut version of the film, Peter Cowie tells us, Brando reads the whole ...”

“... Wootton sees as very similar to the 19th-century germ concept. Of all people, why didn’t William Harvey – who knew of this text – see the point? That’s simple too: Harvey ‘had radically misunderstood Nardi’s argument because of a fundamental ambiguity in Latin’ – the English for the Latin semen could be either ‘semen’ or ...”