Late Picasso at the Tate
David Sylvester, 1 September 1988
“... not diminish after a hundred encounters. It is the sort of piece which establishes that, while it may be open to question whether Picasso is this century’s greatest painter, he is undoubtedly its greatest sculptor. The late style surely emerges in October 1964 with works such as the two large paintings of The Artist and his Model dated 25 October and 26 ... ”