“... of Part (or Act) V. Its plot is related by two characters called Portia and Cylinda, who tell a self-consciously Shakespearean story of the fortunes and romances of an improvident father and his three children. Running alongside and over the top of this is a series of exchanges and arguments between the speaking characters: Portia, Cylinda, an allegorical ...”

“... house in Cheshire and his mind would all his life pullulate – like that of his mother’s cousin Robert Louis Stevenson – in a ‘nursery-sickroom atmosphere’. His father, a captain in the York and Lancasters, was killed at Ypres in May 1915. His maternal grandmother, Emily, was ‘a great psychosomatic virtuoso’. And his mother Kathleen’s ‘intense ...”

“... For​ the late French historian Emmanuel Le Roy Ladurie, Thomas Robert Malthus was an indispensable guide to the agrarian past. Le Roy Ladurie applied Malthus’s argument that population grows faster than subsistence to the archives of Languedoc, where, in the empirical detail of parish registers, cadastral surveys, tax rolls and price series, he perceived ‘the immense respiration of a social structure’ over the course of three centuries ...”

“... which sowed the seeds of our present uncertainties. Until about 1800 the lineaments of national self-identity were fairly clear, but during the 19th century what it was to be British or English became a far more contested question. This was partly because the rise of manufacturing towns mocked the roast beef and Plymouth Hoe images of the ‘olden ...”

“... whose work has done more perhaps than any of the others’ to shake the coherence and conscious self-certainty of the modern liberal self. The omission of Marx and Lenin is a different matter. Holmes is quite explicit about the need to establish a distinct category of ‘non-Marxist anti-liberalism’ and I think he is ...”

“... inconsistent with the migrants’ own desires’. Similarly, the folklorists Charles Todd and Robert Sonkin, sent west under the aegis of Alan Lomax and the Library of Congress to record what might be left of the migrants’ musical lore, paid no attention to what the Okies – by now into commercialised country and western music – wanted to hear, play ...”

“... the ardent Galahad who will never take for granted that men are sometimes wicked on purpose; Robert Kee, the hot-eyed public prosecutor … When John Birt arrived at the BBC as Deputy Director-General at the end of the 1980s, apocalyptic assessments of the programme were back in fashion. According to Birt, the BBC’s Chairman, Marmaduke ...”

“... failure when his strength left him, his passion faded.’ The poems written at Ooty had been self-denying. ‘Wood Song’ describes ‘agonies/ That love can never consummate’, but that last day’s events had changed Lewis’s mind: as soon as he left, on the long train journey to Karachi, he was writing letters to Aykroyd to make it clear that their ...”

“... in the opposite direction to Helen, leaving Troilus, her Trojan love, for Diomedes the Greek. Robert Henryson picks up the story where Chaucer left it: in The Testament of Cresseid, he introduces into the story of punitive, divine revenge an unusual depth of tragic pity for the hussy.* The character of Penelope also provides a counter-model and comparison ...”

“... The culture of torture thus encompasses both prisoners and guards. It must be hard to preserve self-control when one has suffered from or been threatened with some of the treatment one can now hand out to those assumed to be enemies. The second source is more banal and even more frightening: the influence of movies and television. As one interviewee puts ...”

“... table in 1604 were linked to William Byrd.1 The most powerful, the great Protestant statesman Robert Cecil, earl of Salisbury, was the dedicatee of one of Byrd’s last and most haunting keyboard ensembles of pavan and galliard, so popular that they were still admired and adapted through the centuries when most Tudor music was relegated to the archives.2 ...”

“... generation. ‘I saw more fighting,’ he wrote, than Siegfried Sassoon, or Edmund Blunden, or Robert Graves, far more than Liddell Hart, four or five times as much as Wilfred Owen, and I didn’t go home with a nervous breakdown. [But] I fear the damage is done, and the myth of the 1930s has prevailed … When I meet some clever young scholar from ...”

“... 20th century, among them Elizabeth Hardwick, Jean Stafford (these two had been better known as Robert Lowell’s wives) and Lucia Berlin, whose luminous short stories seem to me as good as anyone’s. Now Picador have published Blue in Chicago, a collection of stories by Bette Howland, born in 1937, a Jewish writer from a working-class neighbourhood in ...”

“... some people as a great journalist. But if he is, that is a tribute to the power of longevity and self-created myth. To be read for the studied perversity of one’s opinions, and the calculated outrage provoked by one’s means of expressing them, supplies celebrity of a sort. As a contribution to public knowledge and even public entertainment, though, it ...”

“... Proust despised for having supposed in his philistinism that the writer’s social and creative self were one and the same, that the person you dined and talked with in the cafés or salons was the same person who went home and wrote the Fleurs du mal or Madame Bovary. Proust insisted on two selves for the true writer, a surface ...”