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“... annual stipend so he could concentrate on his poetry, only to commit suicide two years later; to John Quinn, a lawyer and collector to whom T.S. Eliot gave the manuscript of The Waste Land; to James Laughlin, founder and editor of New Directions (or Nude Erections as Pound liked to call it); to Alice Corbin Henderson of Poetry; to Scofield Thayer and James ...”

“... facilely grouped as a cetacean school of Great White Males (Styron, Norman Mailer, James Jones, John Updike, Saul Bellow, Gore Vidal, J.D. Salinger, Joseph Heller, the recently retired Philip Roth), whose ghostly father and bearded Neptune disturbing the liquor cabinet deep into the night was Ernest Hemingway. Even those least influenced by Hemingway’s ...”

“... John Sturrock’s little book is the best single guide to its subject that has yet appeared. Structuralism and Since demands, though, that its title be taken literally. It traces, technically and without concession to idle curiosity, the course of ‘structuralism’ in its modern phase – from the moment when it achieved new importance in the work of Lévi-Strauss in the early Sixties, through its development and extensions in the work of Roland Barthes, Michel Foucault, Jacques Lacan and Jacques Derrida, to its present position, which is known either as ‘post-structuralism’ or simply as ‘deconstruction ...”

“... because of her interest in folklore and her knowledge of the area around Coole and its people. ‘John Synge, I and Augusta Gregory, thought/All that we did, all that we said or sang/Must come from contact with the soil.’ Much of Yeats’s work on Irish folklore was, as Foster points out, a collaboration with Lady Gregory.Lady Gregory also wrote ...”

“... England’ received the very epitome of grave, tasteful and well-regarded biography. John Gore chronicled the inner man, his tastes, hobbies and friendships; and Harold Nicolson described his public life and times. Nicolson’s book in particular did as much to confirm George’s reputation as a good king as it did to confirm his own reputation ...”

“... of our stage!’ His climactic description was elaborated in the Second Folio (1632) by the young John Milton: ‘Thou, in our wonder and astonishment/Hast built thyself a lasting monument.’ Historically, Shakespeare criticism begins with wonder, and that it should have returned there in these millennial times ought not to surprise us. This batch of studies ...”

“... among them Jefferson, Lecky, Baldwin, Churchill, Guedalla and Plumb (who lumps George with King John as ‘one of England’s most disastrous kings’). Roberts tells us with his trademark thump that now Elizabeth II has allowed more than 200,000 pages of the Georgian Archives at Windsor to be published – 85 per cent of them for the first time – ‘it ...”

“... a hundred years before Parliament paid out about five times that amount to the ‘lone genius’ John Harrison in 1773 for the magnificent marine chronometer that provided a working solution to the longitude problem. The patent Hooke wanted was a type of ‘Letters Patent’ – literally ‘open letters’, sealed but not sealed up, conferring the special ...”

“... In 1978, at a seminar on John Maynard Keynes held by the University of Kent, Raymond Williams talked about ‘The Significance of Bloomsbury as a Social and Cultural Group’. He accepted Leonard Woolf’s characterisation of Bloomsbury as consisting ‘of the upper levels of the professional middle class and county families, interpenetrated to a certain extent by the aristocracy’ with ‘an intricate tangle of ancient roots and tendrils stretching far and wide’ through those classes ...”

“... authority of one determined to make his readers take him at his own valuation: he saw himself as a major German author of his time, which is the half-century since 1936, when Die Blendung (Auto-da-Fé), his only novel, appeared. Whether or not it is justified, such overt self-confidence is unusual among his contemporaries. The best of them, in Central Europe ...”

“... of secret masters: Gerald Kersh, James Curtis, Mark Benney, Robert Westerby, Alexander Baron, John Lodwick, Jack Trevor Story. They have been struck from the canon, these technicians, these life-enhanced witnesses. They are noticed only by slumming journalists (who have built up their own collections of the stuff) or by condescending arts programmers ...”

“... Werther is the moment of his nearest identity with his public, Urfaust is the first major work in which he establishes the initial distance of his own subjectivity from that of his contemporaries which will be characteristic of all his subsequent writing.’ Goethe is becoming Goethe as Boyle sees him, and ‘initial distance’ is the phrase ...”

“... with the play’s own title. Both the printing of the play in the First Folio, and the law student John Manningham’s account of the production at Middle Temple in 1602, stress that the play’s full title is Twelfth Night, or What You Will – with the suggestion that the second phrase modifies the first rather than substitutes for it. In 1662 Samuel Pepys ...”

“... Punic Wars. As late as the Twenties there were only four chemotherapeutic compounds. To be sure, major killers disappeared periodically but not through the agency of doctors or the power of science. Thus in medicine – unlike physics, chemistry or engineering – an immense accumulation of learning from the scientific revolution to our own century had ...”

“... slightly more objectively when he summarises the poet’s life after youth as ‘a steady march of major works and a most unedifying and intricate mess of quarrel and intrigue’. Mack’s ‘advocacy’ of the poet makes him choose to interpret this history in terms of a psychology less literary than largely social. ‘The poet in his world’ consists in a ...”