The Smell of Blood
Blake Morrison: Sarah Moss, 13 August 2020
“... voices. In a set of close third-person narratives that are light on dialogue, ‘voice’ really means thought, and there’s a lot of thinking, and overthinking, in Summerwater. Even when the characters are doing stuff (running, putting on wellies, making a cup of tea) the action is mostly inner action: while trying to have a simultaneous orgasm with her ... ”