Paper or Plastic?
John Sutherland: Richard Powers, 10 August 2000
“... in its hand. Adie’s story runs in parallel with the account of a half-Iranian American held captive in – where else – an empty white room in Beirut. Lacking digital crayons or toolkit, he fills his blank space with imagination. Why, one wonders, did Powers settle on 1989 as his historical setting? It was, of course, the year he got his ... ”