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The Power of Sunshine

Alexander Cockburn, 10 January 1991

City of Quartz: Excavating the Future of Los Angeles 
by Mike Davis.
Verso, 462 pp., £18.95, November 1990, 0 86091 303 1
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... form of Mike Davis. In his epigraph Davis situates himself and his ambitions with a quotation from Walter Benjamin: ‘The superficial inducement, the exotic, the picturesque has an effect only on the foreigner. To portray a city, a native must have other, deeper motives – motives of one who travels into the past instead of into the distance. A ...

Carnival Time

Peter Craven, 18 February 1988

The Remake 
by Clive James.
Cape, 223 pp., £10.95, October 1987, 0 224 02515 5
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In the Land of Oz 
by Howard Jacobson.
Hamish Hamilton, 380 pp., £12.95, September 1987, 0 241 12110 8
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... may be the final triumph of vulgarity over distinction, a fitting end for the faint of heart. Walter Benjamin spoke of the vulgarisation of art in the age of mechanical reproduction: maybe the same fate waits inevitably on the man or woman of talent who consigns personality or persona to a small bright box. Clive James provided a clue to his own ...

By the Width of a Street

Christopher Prendergast: Literary geography, 29 October 1998

An Atlas of the European Novel 1800-1900 
by Franco Moretti.
Verso, 206 pp., £16, August 1998, 1 85984 883 4
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... from which so many of its commodified exhibits came. It is the universe massively investigated by Walter Benjamin as the origin of what was later to be termed ‘la société du spectacle’. But ‘exposition’ also refers to a set of literary interests and methods, reflecting a new preoccupation with spatialised representation, a move away from the ...

A Talent for Beginnings

Michael Wood: Musil starts again, 15 April 1999

Diaries 1899-1942 
by Robert Musil, translated by Philip Payne.
Basic Books, 557 pp., £27.50, January 1999, 0 465 01650 2
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... world and their arguments and their idiocies pretty much as they do. You begin to read in what Walter Benjamin would call a state of distraction, rather than with your habitual concentration. Instead of being afraid of missing something you start enjoying what may be irrelevant, you lose all track of what relevance might mean. It’s true, as Nicholas ...

The Big Show

David Blackbourn, 3 March 1983

‘Hitler’: A Film from Germany 
by Hans-Jürgen Syberberg, translated by Joachim Neugroschel, introduced by Susan Sontag.
Carcanet, 268 pp., £9.95, December 1982, 0 85635 405 8
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... rituals and forms as well as the functions of German fascism, deepening our understanding of what Walter Benjamin called the aestheticisation of politics. If this is one stage Syberberg chooses to leave bare, that can hardly be because he finds it impossible to represent artistically. He does, after all, have a narrator talk us through Max Weber’s ...

Hitler at Heathrow

E.S. Shaffer, 7 August 1980

The Memoirs of Bridget Hitler 
edited by Michael Unger.
Duckworth, 192 pp., £4.95, March 1979, 0 7156 1356 1
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The Portage to San Cristobal of A.H. 
by George Steiner.
Granta, 66 pp., £1.50
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Young Adolf 
by Beryl Bainbridge.
Duckworth, 174 pp., £6.95, November 1978, 0 7156 1323 5
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... a series of covered galleries to the great dome housing the ‘St Peter’s’ of the swastika. As Walter Benjamin pointed out, the ‘aestheticising of politics’ was one of the hallmarks of Fascism, the creation of exhibition value for the masses. ‘History’ is ornamental and inflates nicely to fill the Halls of Fame that third-rate men erect for ...
England’s dreaming: The Sex Pistols and Punk Rock 
by Jon Savage.
Faber, 602 pp., £17.50, October 1991, 0 571 13975 2
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... hints of spirit that seem to drift round certain street corners and hang in selected doorways, as Walter Benjamin did in his great Paris works and as imitated by Marcus in his book. And Savage, right enough, is man enough to have a bash: It is the early Seventies. All the participants of what will be called punk are alive, but few of them know each ...

Nicely Combed

Matthew Reynolds: Ungaretti, 4 December 2003

Selected Poems 
by Giuseppe Ungaretti, translated by Andrew Frisardi.
Carcanet, 287 pp., £14.95, April 2003, 1 85754 672 5
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... not expect them to provide us with an ‘equivalent of’ their source. We should instead – as Walter Benjamin proposed in his visionary essay ‘The Task of the Translator’ – ask how the imaginative life of the source text has been prolonged, what has been done by the translation, what it points to, throws light on, or mimes. Take the first of ...

Preposterous Timing

Hal Foster: Medieval Modern Art, 8 November 2012

Medieval Modern: Art out of Time 
by Alexander Nagel.
Thames and Hudson, 312 pp., £29.95, November 2012, 978 0 500 23897 4
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Depositions: Scenes from the Late Medieval Church and the Modern Museum 
by Amy Knight Powell.
Zone, 369 pp., £24.95, May 2012, 978 1 935408 20 8
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... and (post)modern count as historical constellations that, like the ‘dialectical images’ of Walter Benjamin, stir us from the slumber of our historicist chronologies, as Nagel intends, or whether – as he fears – they are exercises in ‘historical telescoping’, a reprocessing of old artefacts in contemporary terms in a way that might play ...

Name the days

Marina Warner: Holy Spirits, 4 February 2021

Angels & Saints 
by Eliot Weinberger.
Norton, 159 pp., £21.99, September 2020, 978 0 8112 2986 9
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... to think of the stories these volumes tell as evidence of religious beliefs and rituals, but, as Walter Benjamin points out in ‘The Storyteller’, when men and women are imprisoned in repetitive tasks, storytelling flourishes. He deplored the rise of information in modern times. ‘If the art of storytelling has become rare,’ he wrote, ‘the ...

Hippopotamus charges train

David Trotter: Rediscovering Gertrude Trevelyan, 29 June 2023

Two Thousand Million Man-Power 
by Gertrude Trevelyan.
Boiler House Press, 297 pp., £14.99, November 2022, 978 1 913861 85 8
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... that could easily have been entertained by any number of commentators on modern mass media, from Walter Benjamin onwards.This sharpened sense of limitation may account for the noisiness of 1930s fiction. The London flats occupied by the present-day Pargiters are enveloped in noise pollution: including, oddly enough, the old Victorian bugbear of the ...

Picasso and Cubism

Gabriel Josipovici, 16 July 1981

Pablo Picasso: A Retrospective 
edited by William Rubin.
Thames and Hudson, 464 pp., £10.95, July 1980, 0 500 23310 1
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Picasso: His Life and Work 
by Roland Penrose.
Granada, 517 pp., £9.99, May 1981, 0 7139 1420 3
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Portrait of Picasso 
by Roland Penrose.
Thames and Hudson, 128 pp., £3.95, June 1981, 0 500 27226 3
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Viva Picasso: A Centennial Celebration, 1881-1981 
by Donald Duncan.
Allen Lane, 152 pp., £12.95, May 1981, 0 7139 1420 3
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Picasso: The Cubist Years, 1907-1916 
by Pierre Daix and Joan Rosselet.
Thames and Hudson, 376 pp., £60, October 1979, 9780500091340
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Picasso’s Guernica: The Labyrinth of Vision 
by Frank Russell.
Thames and Hudson, 334 pp., £12.50, April 1980, 0 500 23298 9
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... seized upon with great intensity by both Virginia Woolf and Francis Bacon, and explicitly seen by Walter Benjamin as the essence of the Modernist revolution, an insight which makes Benjamin, even today, Modernism’s most profound theorist. Unlike Braque, Picasso always needed to violate his own too perfect ...

Massive Egg

Hal Foster: Skies over Magritte, 7 July 2022

Magritte: A Life 
by Alex Danchev with Sarah Whitfield.
Profile, 420 pp., £30, November 2021, 978 1 78125 077 8
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... cinema that charmed him, its combination of photographic realism and fantastic effect, or what Walter Benjamin called the ‘blue flower’ of sensuous immediacy produced through intensive mediation. As a child, Magritte contrived plays and pranks with a gang that included his two younger brothers and assorted neighbourhood pals, and he made home ...

Into the Big Tent

Benjamin Kunkel: Fredric Jameson, 22 April 2010

Valences of the Dialectic 
by Fredric Jameson.
Verso, 625 pp., £29.99, October 2009, 978 1 85984 877 7
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... critics and writers. Not only did he develop interests in film, science fiction, or the work of Walter Benjamin, say, earlier than most of his colleagues in the humanities, he was also a pioneer of that enlargement of literary criticism (Jameson received a PhD in French literature from Yale in 1959) into all-purpose theory which made the discussion of ...

Megasuperwarlords

Benjamin Markovits: Mark Costello, 5 August 2004

Big If 
by Mark Costello.
Atlantic, 315 pp., £10.99, February 2004, 9781843542179
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... works: how the law works, how the police work, how power works. His new novel, Big If, opens with Walter Asplund, a small-town New Englander whose main role in the story is to father two of its protagonists: Vi, a Secret Service bodyguard, and Jens, a computer programmer. But Walter has a symbolic significance, too: ...

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