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“... remembers the optician, ‘busying himself on top of me, inside me, beneath me, while I observed a bird on the other side of the car door’. Dissociation has become the basis for fiction and so, the narrator notes, ‘everything was right with the world … you only had to pay – as I had always known and believed – close attention for a terrible joy to be ...”

“... we drop down into Kendal and the Abbot Hall gallery, where there is a touring exhibition of Robert Bevan pictures. The shows at Abbot Hall are just the right size, and never more than three or four rooms. The Bevans are shown alongside other Camden Town paintings, the best of which is a lovely, glowing, slightly abstract picture by Spencer Gore, The ...”

“... This is a book about Piaf and her crowd. Rather than trying to get to the ‘real’ Piaf, as Robert Belleret did in Piaf, un mythe français (2013), Looseley is interested in interpreting the myth itself and drawing out what Piaf meant – and still means – to France and to her wider audience. The final three chapters are about her posthumous meanings ...”

“... It was reading Robert Lowell that brought me to poetry at the age of 19, in 1976. I had borrowed a friend’s omnibus edition of Life Studies and For the Union Dead, and something in me said: ‘This is it!’ I don’t remember the poem I first had that response to, but most likely it was in Part IV of Life Studies, ‘Dunbarton’ or ‘For Sale’, or perhaps ‘Waking in the Blue ...”

“... 11, leaving the family $8 after funeral expenses had been paid. Frost’s mother, Isabelle, took Robert and his sister east from San Francisco to Lawrence, Massachusetts, where they lived initially with her parents-in-law before Isabelle tried – with mixed results – to hold down a job as a teacher. Frost was many things before he was a poet; by the time ...”

“... Tsuru, which means ‘crane’; her story reflects the fable of a man who once rescued a helpless bird, and was rewarded with a bride who every night wove priceless fabrics for him, on the sole condition that he should never look into the room where she worked. He broke his word, looked into the room, and discovered that the crane-woman wove the cloth from ...”

“... essential safeguards, for themselves and for others. The conviction, for example, of Lady Bird wood for disseminating anti-semitic propaganda would not have been possible without it. Though institutional in its focus, the book also has very little to say about the most important non-synagogal institutions of Anglo-Jewry: its charities. Alderman’s ...”

“... just happened, and then develop it into a metaphor for an existential quest. Her title, taken from Robert Frost (‘I have it in me so much nearer home/To scare myself with my own desert places’), shifts the focus from the real journey to the inner one. In a Prelude to the book, she seems to allude to Frost’s ‘The Road Not Taken’: ‘Sometimes it seems ...”

“... opens with the appearance on the Spokane reservation of a thin old black man who calls himself Robert Johnson – presumably the great Thirties bluesman, long dead in the world outside Alexei’s fiction. Here he’s in flight from someone called ‘The Gentleman’, with whom he has done a deal that would make him the best guitar-player the world had ever ...”

“... once saw Eric as the ideal baptismal name, to the ultimate dismay of its recipients. Of Eric Gill, Robert Speaight says that being called Eric ‘might not unfairly be described as starting life with a handicap’. The Great War showed what handicapped Erics were made of; in 1918 my cousin Eric, up from Biggin Hill in a two-seater fighter, overhauled ...”

“... dramatic, case-by-case study of a family in crisis. On the other hand, he isn’t immune to what Robert Frost once called ‘the august occasions of the state’, and this makes his drama all the stronger. In Episode 3, when George VI is dead and the aforementioned David turns up at Marlborough House to have tea with Queen Mary, the atmosphere is daintily ...”

“... Robert Chandler writes: ‘Life and Fate is the true War and Peace of this century, the most complete portrait of Stalinist Russia that we have or are ever likely to have.’ Chandler, who has had the herculean task of making a good translation of this long, moving and very remarkable novel, puts forward that claim in his Introduction ...”

“... spat white flecks like arguments.’ From the story ‘Am Strande von Tanger’, on the death of a bird: ‘A heart no bigger than an orange seed has ceased to beat.’ From his first novel, The Hunters of 1957, a description of fuel tanks jettisoned by fighters, falling from high altitude over Korea: ‘There were a dozen or more, going down like thin cries ...”

“... council notices, a wonky sign, hand-painted in red on white, is still visible: DISABLED BIRD OF PREY KEPT HERE. GUARD DOGS LOOSE. CCTV IN OPERATION. The faint reek of feathers, rotting meat, might have something to do with the drains, but it persists. Round at the back, on Shrubland Road, the Owl Man extended his wild garden, his choke of buddleia ...”

“... Wren, came along at exactly the moment when he had fully mastered the ‘High Game’. But, as Robert Grant Irving’s fascinating study in the architecture of politics and the politics of architecture makes abundantly clear, there was far more to the making of New Delhi than the design of the buildings. His narrative is dominated by political events ...”