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“... income tax or the levy on land values advocated by the Webbs and others, the writing was on the wall for their autonomy. Describing the British system of government to Germans in 1903, Josef Redlich was amazed that central and local authorities were equal before the law. The corollary, of course, was an absence of constitutional safeguard, as Davis’s ...”

“... shape British social history over the last four decades: Ross McKibbin, Gareth Stedman Jones and Patrick Joyce. I should say before I go any further that I too am a modern British historian: this is my subject and my tribe. I’ve met the dedicatees, most of the editors and a majority of the contributors to these volumes; a few are good friends. But for ...”

“... been dominated by nationalism, the most poetic of all political currents. It is hard to imagine Patrick Pearse chairing a finance committee. The former prime minister Garret FitzGerald, a writer and intellectual as well as a politician, is said to have remarked of a certain policy proposal: ‘That’s all right in practice, but will it work in ...”

“... or oceanic experience. Reading in bed, he looks up and notices a tapestry on the opposite wall. ‘In a flash, so quick that it occupied the fraction of a second, I understood the whole meaning of existence.’ When a poet such as Yeats says such things we are disposed to take them more seriously, but although it claims relatively little this passage ...”

“... Central Office, provides the focal point of Tim Shipman’s Fall Out. The book is a fly-on-the-wall account compiled from off-the-record interviews with many of the dramatis personae in Theresa May’s topsy-turvy first year as prime minister. There is much here that leaves the reader uneasy – including a portent of our stodgy post-Brexit future, the ...”

“... regretted that ‘according to official and ecclesiastical standards … a bit of the old Roman wall is of more importance than Nash’s Regent Street, and one ruined pointed arch than all Wren’s churches put together.’ Little has changed. Antiquarian prejudice and ecclesiastical philistinism are in good shape, self-righteous as ever.Gavin Stamp was not ...”

“... grey, a three-decker pulpit, Jacobean altar rails and the remains of whitewash-blurred medieval wall-paintings. It’s an immensely appealing place, not unlike Lead in Yorkshire or Heath near Ludlow. Good graves on the north side, some for a family called Secker who seem to live in the manor house across the field, a romantic rambling house that looks ...”

“... morning dew, five hundred miles away.’ Edward Dorn.) Even Ben Watson, whose poodle parlour is wall to wall with off-piste names, admits (in conversation) that he has never been introduced to Woolf’s work: ‘My book’s sub-plot is Philip K. Dick, sales-talk, Hollywood and schitzophrenia.’ So I’m forced to ...”

“... the city to connect stations on its outskirts via the centre has its origins in the town planner Patrick Abercrombie’s utopian plans for postwar London. For Abercrombie, the Blitz had created an opportunity: we could pack displaced Londoners off to ‘new towns’, plant vegetables where their houses had been, and sink the railways. Blackfriars ...”

“... have been written by Richard Neustadt. There is much to be gained from Jenkins’s insights but Patrick Renshaw’s study, though equally succinct, is much more substantial. Renshaw is a specialist in American economic and labour history, and, as might be expected, his book has most to say about domestic policy: the whole of Roosevelt’s foreign policy ...”

“... shillings apiece and an early Mason’s Ironstone soup dish that cost sixpence and hangs on the wall of the kitchen. Local houses used to be full of treasures from Reg: model steam engines, maple mirrors, Asian Pheasant plates, rummers, all picked up for a song. Once I saw a can of film (empty) with ‘Moholy-Nagy’ round the rim, and only this last year ...”

“... which looked at a close-knit working-class community against the backdrop of town planner Patrick Abercrombie’s scheme to clear slums and rehouse residents in ‘overspill’ estates in London’s outskirts (Poplar was intended to be emptied by two-thirds). Willmott and Young painted a sentimental portrait of working-class resilience rooted in ...”

“... to lend themselves to this ‘human interest’ approach than they used to be. Three years ago, Patrick O’Brien, then director of the Institute of Historical Research, disparaged the whole genre of political biography. He argued that ‘just as there are scholars of the performing arts who prefer to contemplate actors rather than acting, players rather ...”

“... family lived in Budapest and summered on the family estates in the southern Carpathians – which Patrick Leigh Fermor has called ‘the most resented frontier in Europe’. With the collapse of the Austro-Hungarian Empire and the onset of political and racial turmoil, the Goldfinger family moved to Vienna. In 1920, Ernö went to Paris, by then as a Polish ...”

“... a post which brought more prestige than income. Like Tennyson’s despondent father, or the fiery Patrick Brontë, Gabriele Rossetti was a displaced figure. His thwarted ambitions shadowed and deepened the lives of his children. All four took it for granted that they would not be ordinary. It was the children’s responsibility to justify their father’s ...”