Proper Ghosts
Dinah Birch: ‘The Monk’, 16 June 2016
“... Ambrosio’s cell with fatal ease. Matilda’s ‘exquisite’ face mirrors the painting of the Madonna that Ambrosio formerly worshipped, so that his pious adoration of the Virgin is transformed into lust for a demon. No wonder Lewis’s contemporaries were taken aback. Anti-Catholic polemic was common in the late 18th century, but it had not previously ... ”