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“... be printed beautifully and I’ll sign them all. They’ll be put into portfolios and be sold. John Loker and I got drunk in Ireland last summer and he and I and Nicky Watts decided to bicycle from Land’s End to John O’Groats this summer. I had not ridden a bike since I was a schoolboy, but they were pretty fit. So I ...”

“... both are made by the individual, who puts himself into them, puts in his ‘life illusion’, as John Cowper Powys called it, his unconscious fears and desires. History will not work without fiction, or at least the fictive principle, which Scott renounced as far as he could. This of course amounts to choosing a principle of another kind, but a negative ...”

“... material of the book could just as well have formed the basis of a very different sort of work. John Betjeman picked up on this odd and wholly characteristic ambivalence when he wrote to congratulate him: ‘When I read the book it seemed to me so rockingly funny that nothing else would seem funny again.’Decline and Fall is one of a number of Waugh’s ...”

“... Britain; and as for his direct influence, as one observes it in Sickert, Wilson Steer, Gwen John and Victor Pasmore, it is hard not to think of it as beneficent and inspiring. People sometimes rebuke Whistler, as they rebuke Pound, for being noisy and obstreperous, but the polemics – the Ruskin trial, and the ‘Ten ...”

“... for a fortnight. Spencer’s enthusiasm for garbage is not unique in English art. According to Ruskin, Turner ‘not only could endure, but enjoyed and looked for litter, like Covent Garden wreck after the market’. His pictures are ‘often full of it, from side to side’ and he ‘delights in shingle, débris, and heaps of fallen stones’. That the ...”

“... the cityscape had created the malaise. ‘There is a strange horror lying over the whole city,’ Ruskin wrote. ‘It is a shadow of death, possessing and penetrating all things. The sunlight is lurid and ghastly . . . the shadows are cold and sepulchral.’ Given the 19th century’s love of the gothic, and given Rome’s reputation for offering an ...”

“... the early work of Browning and Tennyson within the ‘two systems of concentric circles’, as John Stuart Mill described them, that radiated out from the radical Bentham and the conservative Coleridge. While Browning wrote for the Monthly Repository, edited by the Benthamite W.J. Fox, the young Tennyson associated with Arthur Hallam and the conservative ...”

“... controversy provoked at home by the Indian Mutiny seven years earlier had been about Charles John Canning’s attempts as governor-general to rein back the brutality of the military reprisals. A slave revolt in Jamaica in 1831, seven years before formal emancipation, had been visited with hundreds of executions, albeit after some form of trial, without ...”

“... be grateful that he chose to concentrate on the masterpieces which he most admired. No one since Ruskin has written so well in English about works of art, or has been so uninhibited in expressing his emotional responses or in making sweeping generalisations. But Clark was not only unusually sensitive: he was also very knowledgeable. His early work on the ...”

“... Donne’s powers are, for John Carey, a matter of power, the poems being ‘the most enduring exhibition of the will to power the English Renaissance produced’. The praises of Donne in this critical work of amazing flair and obduracy are single-minded: Donne is here valued, supremely, for the power and tenacity of his ego, for his imaginative energy, for his desire to dominate or his rage for supremacy, and for the obsession with which he registered the contrarieties and contradictions of life ‘in all their urgent discord ...”

“... show buildings that are still quite recognisable today; pictures of the ‘Cromwell curve’, with John Fowler’s concrete bridge of 1867-9, are evidence of the scale of engineering work now masked by later building and softened by vegetation. The railways have proved adequate. Reading the plans of the St Mary Abbots Hospital, on the other hand, shows how ...”

“... books published to mark the opening of the new galleries supports this view of Turner’s genius. John Gage ends his introduction with a remark made by Lawrence Gowing in 1966: ‘It is not certain that we are yet prepared to see Turner whole.’ Gage reckons it is time to renew the attempt. He uses another quotation from Gowing to epitomise the Modernist ...”

“... generally much improved by being received into the soul.’ Nothing could sound less like, say, Ruskin; and while, as it happens, Ruskin did praise Palmer on one occasion for keeping company with the ‘faithful followers of nature’, he must have come to see that Palmer’s interests lay in quite a different ...”

“... On 21 December​ 1859 John Tyndall, a professor of natural philosophy at the Royal Institution, set out to measure the structure and movements of the Mer de Glace, a glacier above Chamonix. In previous summers he had collected data on several Alpine glaciers, but no one had ever attempted to do so in winter. He got to Folkestone but bad weather meant crossing the Channel was impossible and he returned to London ...”

“... reconstructed Eddystone lighthouse at Plymouth Hoe in Devon is indeed a monument to its designer, John Smeaton, arguably the first civil engineer in the modern sense, but it does not ‘host’ his remains. Smeaton was an eminently practical man who would have thought such an idea outlandish. When he died in 1792, he was respectably buried in his parish ...”