Mayhem at Millbank
David Sylvester: The new hang at the Tate Britain (2000), 18 May 2000
“... at their ease; it’s argumentative. Here and there the argument is illuminating, as when David Bomberg’s In the Hold (c.1913-14) is hung next to Leon Kossoff’s Children’s Swimming Pool, Autumn Afternoon (1971). Both are busy compositions, with a mass of vigorous figures squeezed closely into a space. But the Bomberg is pretty abstract and is ... ”